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CURRENTLY 80 : Celebrating 80 years of The Sculptors Guild

Sculptors Guild

Show Dates February 5 – February 24, 2017
Opening Reception: Sunday February 5h 1pm – 4pm
Closing Reception: Friday Febrary 24th 6pm-8pm

Gallery Hours: Wednesday – Sunday 1pm – 6pm

The Sculptors Guild celebrates its historic 80th anniversary with an exhibition curated by distinguished poet and critic John Yau at Westbeth Gallery in the West Village from February 5-24, 2017.

The Sculptors Guild is a collective of contemporary professional sculptors “…looking to have the freedom to make and show work within a community that supports and encourages their practices. A rare feat in a world full of the detritus of pop culture and commodity-driven creation”, writes Brienne Walsh, art critic and historian.

Curator, John Yau, will be curating signature works by current Sculptors Guild members alongside historical pieces from the Guild’s collection. Works by founding member Chaim Gross as well as pieces from the Renee and Chaim Gross Foundation, including drawings by member Louise Nevelson will be exhibited.

The founding of Sculptors Guild in 1937 was a seminal event for modern sculpture in America. Its members were at the forefront of American Modernism especially in their openly expressed rejection of the staid conventions. The result was an esthetic paradigm shift that would have significant impact on the international art scene during the years of reconstruction following the global devastation of WWII.

The primary objectives of the founders as stated in an early exhibition catalogue were: “to unite sculptors of all progressive aesthetic tendencies into a vital organization in order to further the artistic integrity of sculpture and give it its rightful place in the cultural life of
this country.”

Sculptors Guild is a not-for-profit organization based in New York City with a professional membership of acclaimed international sculptors of diverse esthetics. Our mission is to promote, encourage, and serve as an advocate for sculpture and to make contemporary sculpture a relevant part of the cultural experience.

SCULPTORS GUILD INC FOUNDED IN 1937 is a 501c2 Artist Collective

For further info: contact sculptorsguild@gmail.com

Joan Hall solo show of collages
HOMENAJE opens Feb 4, 2017 at
Interseccion Gallery of Contemporary Art, Fabrica la Aurora, San Miguel de Allende

JOAN HALL

She will also present a lecture/slide show at the Biblioteca on February 14th on Collage: Past & Present.
This lecture will also be presented at Westbeth this coming spring.

Part 1: Collage & Assemblage, Past & Present
Part 2 : The Art of Joan Hall

Collage has rapidly gained popularity as an art form in the United States. I believe that there are sociological reasons for this. Everyone is in a hurry and the medium of collage conveys a feeling of spontaneity. With the advent of the computer and the Internet, our world had become fragmented. This is reflected in the bits and pieces that make up a collage and assemblage. Based on this, I have compiled a lecture/slide show on collage and assemblage from 12th century Japan to contemporary digital photo illustration
Part 1 includes works by Picasso, Braque, Matisse, Cornell, Rauschenberg, and many other artists. You will see how artists recycled everyday materials into artwork, using spare tires, shredded money, and even ones own blood! The use of collage in illustration has become a familiar sight. You will learn how collage artists cope with some hilarious, yet frustrating experiences in the publishing workplace. This program is both entertaining and educational.
Part 2 consists of my own artwork.

Native New Yorker Joan Hall’s artwork has appeared on covers of Time Magazine, The New York Times and numerous other publications. Her collages and assemblages have been exhibited in galleries and museums worldwide, including The Centre Georges Pompidou in Paris and the Museo Tamayo in Mexico City. She was commissioned by the American Cultural Center of the US State Department to lecture, exhibit, and conduct workshops in France, India, Brazil, and Mexico.

Edyta Kulczak in Metropolitan premier of Rigoletto Jan 21, 2017

Edyta kulzak use this one 2

photo Karen Almond

photo Karen Almond

Since its debut in 2013, Michael Mayer’s Vegas-strip take on Rigoletto has been perhaps the most talked-about production in the Metropolitan Opera’s repertoire. With its topless pole-dance, flashing neon, and lines of cocaine, it is more than anything a send-up of Verdi and Piave’s classic tragedy. On some nights, the gentle parody is quite effective, offering a self-effacing interpretation that softly teases the piece’s flirtation with melodrama, winking at the audience but still retaining enough respect for the work to convey its emotional elements honestly.

And for the second night in a row, the Met got a fine pinch-hit appearance, as
Edyta Kulczak combined playful camaraderie and motherly warmth…

– Eric Simpson Jan 21, 2017

Read rest of review HERE

PAT LASCH: NY Times article – Ars Longa Except When MoMA Throws It Out

PAT LASCH in NYT

ARS LONGA by Randy Kennedy for New York Times January 21, 2017

The New York sculptor Pat Lasch has spent her career making work that plays with the distinction between ordinary things and things belonging in museums: realistic-looking ball gowns made from dried acrylic paint; plaster eggs; towering decorative cakes fashioned from wood and paper.

Her fascination with cakes grew out of a notion of them as markers of time’s passage, through birthdays, weddings and other occasions. And cakes have also helped her remember her father, a German-born pastry chef who gave her some life advice when she worked in his bakery as a teenager, piping the icing: “If you make a mistake, put a rose on it.”

Recently Ms. Lasch, 72, discovered a mistake that even the loveliest rose is unlikely to fix: The Museum of Modern Art, which commissioned a 5-foot-2-inch-tall cake sculpture in 1979 as part of its 50th anniversary, appears to have discarded the piece, which Ms. Lasch wanted to borrow for a retrospective of her work opening in March at the Palm Springs Art Museum in California.

Ms. Lasch, a first-generation feminist who started working in the early 1970s, said she contacted the Museum of Modern Art last fall after the curator in Palm Springs, Mara Gladstone, was unable to find records of the cake sculpture in the archives at MoMA. “Mara said, ‘Pat, I don’t know how to tell you this,” Ms. Lasch recalled in a recent interview.

Read more here

Kate Walter article on AM New York: The resistance to Donald Trump just got under way

PEN Demonstration on steps of NYPL

PEN Demonstration on steps of NYPL

PEN Demonstration on steps of New York Public Library

PEN Demonstration on steps of NYPL

PEN Demo

PEN Demo

PEN Demo

PEN Demo

All photos Kate Walter

Read Kate Walter’s latest article in AM New York

Let New York be the capitol of the resistance,” said playwright Eve Ensler to the large crowd gathered on the steps of the New York Public Library on Fifth Avenue earlier this week.

She was speaking at the event “Writers Resist: Louder Together for Free Expression” sponsored by PEN American Center, which advances literature.

Authors, poets, journalists read on the library steps drawing from the canon of political poets: Audre Lorde, Claude McKay, Allen Ginsberg, Muriel Rukeyser, Gwendolyn Brooks. American Poets Laureates Robert Pinsky and Rita Dove offered inspiration with inaugural poems.

Fearing a backlash against free expression under a Donald Trump administration, I joined PEN America as a professional member. It is important to belong to a writers group that is political. PEN is an international group that fights for imprisoned writers around the world.

As an opinion and freelance writer, I used to worry about rejection and overdue checks. Now, I worry about reprisal and censorship. So, I stood in the cold for more than two hours to get recharged with this message: We will not be quiet, or stand down.

Click here for complete article: http://www.amny.com/opinion/columnists/kate-walter/the-resistance-to-donald-trump-just-got-underway-1.12983590

PEN AMERICA WORLD
VOICES FESTIVAL
Literary Quest
Westbeth Edition

PEN Literary Quest Poster 2017 USE THIS ONE

The PEN World Voices
Festival 2017:
Gender & Power

Empower yourself with
literature and ideas across borders.

http://worldvoices.pen.org

Founded in the aftermath of 9/11 by Salman Rushdie, Esther Allen, and Michael Roberts, the United States’ only international literature festival aims to broaden international dialogue and combat isolationism. We invite you to join more than 150 authors and artists from all over the world in this moment of unprecedented threats to freedom and truth—and of emboldened mobilization and resistance—and examine bigotry, misogyny, and xenophobia and to bolster the movement to counter them. Exploring the theme Gender and Power, these events will celebrate the transcendent power of art to enable people to see beyond their differences.

READINGS AT WESTBETH – HOME TO THE ARTS
Thursday May 4, 2017 at 6:30PM
http://worldvoices.pen.org/session/literary-quest-westbeth-edition/

Westbeth artists open their homes for readings by PEN authors and a party in their legendary Westbeth Gallery. With Moustafa Bayoumi, Rita Mae Brown (US), Farah Jasmine Griffin (US), Abeer Hoque (Nigeria/Bangladesh/American), Thomas Meinecke (Germany/US), Haroon Moghul, Tanwi Nandini Islam, Idra Novey, Igor Stiks (UK), Han Yujoo (Korea), Filip Springer (Poland), Gabby Rivera (US) and Emanuel Xavier (US).

Read about Westbeth and its history HERE

HOT SPOTS
Brooklyn, New York, Zurich

KARIN BATTEN HOT SPOTS FOR WEB

HOTSPOTS
BROOKLYN, NEW YORK, ZÜRICH

>URBAN LANDSCAPES BY

Karin Batten, New York

Ralph Raphael Fleming, Brooklyn

Eugen Meier, Zürich

Josette Urso, Brooklyn

WESTBETH GALLERY

55 Bethune Street Gallery Hours: Wednesday-Sunday
New York, NY 10014 1pm – 6pm

Show Dates: March 31st-April 15th
Reception: March 31st 6-8pm

The artists in this diverse group share a lineage to 1990’s Switzerland with their connection to the artist Fred Engelbert-Knecht who ran Galerie A-16 in Zürich. Karin Batten, Eugen Meier and Josette Urso had solo exhibitions at Galerie A-16 and Ralph Raphael Fleming joins the extended family via Al Loving. Each artist also shares unique impressions from their immediate urban environment. Working with abstraction and representation, these artists reveal stories of city life through their involvements with the urban setting.

Karin Batten explores the city from unique perspectives and vantage points. Witnessing the city from above, she sees the cohesive unit of the fragmented city emerge. Using oil sticks she constructs deep textures that capture the magnificence of New York City’s skyline and terrain.

Ralph Raphael Flemming
creates intricate collages from urban billboards and commercially printed advertisements. Although his process involves the tearing, cutting and manipulating of found paper, he refers to his pieces as “paintings”.

Eugen Meier is an architect and painter currently living and working in Zürich and the South- West of France. His city-reliefs, made with remnants of paper, plywood and iron are cut, painted and polished and reference the tangled flow of city streets, railway connections and skyscrapers.

Josette Urso makes paintings, drawings and collages. She sees the city less as a series of architectural forms and more as a living, breathing entity – literally a buzzing environment made up of layers upon layers of human history and mystery.

Karen Ludwig
Solo Performance “Where Was I?

Karen Ludwig April 6th

WHERE WAS I? tells the funny and poignant story of a lifetime spent in one of our most passionate and public professions. From playing Meryl Streep’s lover in Woody Allen’s Manhattan, to her heart-rending film portrayal of Ethel Rosenberg in Citizen Cohn, to her many memorable theater performances, Karen Ludwig has shared the New York stage and screen for over four decades with some of Broadway and Hollywood’s biggest stars. WHERE WAS I? is a moving and often hilarious journey of a dedicated artist in search of her identity. It is a vital and compelling story of a lifetime working in the arts.

WHERE WAS I? is directed by two-time Emmy Award winning Dorothy Lyman.

KAREN LUDWIG, actor, director, writer and teacher has appeared on Broadway in Craig Lucas’, PRELUDE TO A KISS with Steve Guttenberg and John Randolph, Neil Simon’s BROADWAY BOUND with Joan Rivers, THE DEVILS with Anne Bancroft, THE BACCHAE with Irene Pappas. Her many Off-Broadway performances at The Public Theater include MUSEUM by Tina Howe and, as a member of Andre Gregory’s Manhattan Project for two years, she performed in THE SEAGULL and Wallace Shawn’s OUR LATE NIGHT traveling with the Company throughout the United States and Europe. She was in the world premiere of MOONCHILDREN at The Royal Court in London as well as playing Lady McDuff in MACBETH at the Stratford Shakespeare Festival in Canada; both directed by Peter Gill. Her first film was Woody Allen’s MANHATTAN, (Meryl Streep’s lover), SPIDERMAN 2, THIRTEEN DAYS opposite Kevin Costner, THE FIELDS, opposite Cloris Leachman and THAT AWKWARD MOMENT with Zach Efron. Ms. Ludwig is very proud of her work as Ethel Rosenberg in HBO’s CITIZEN COHN opposite James Woods after which she helped raise money for the Rosenberg Foundation for Children. TV includes NYPD BLUE, ER, PARTY OF FIVE, JUDGING AMY, BLUE BLOODS, ELEMENTARY and many LAW AND ORDER episodes.

WHERE WAS I? is part of the 15th Anniversary season of the Theater series at the Downtown Urban Arts Festival.

Miriam Chaiken
Writing Award Winners
Christina Maile and
Carol Hebald
Read Their Work

CHRISTINA CAROL AND MIRIAMnnual Award poster (COLOR)

This award was established in memory of Miriam Chaikin, a longtime Westbeth resident and prolific writer. Born in Palestine, Chaikin grew up in Brooklyn, and her childhood memories and life in a close-knit Jewish community are all themes represented in her writing. She worked earlier in her career as an editor of literature for young people, and most of her books are intended for children and youth. Her works include lushly illustrated retellings of Old Testament lessons, humorous stories of the misadventures of “Molly and Yossi” (based on her childhood and that of her beloved younger brother Joseph), and collections of poetry. The last two books she completed were for adults – Jewish Wisdom for Daily Life, and Jerusalem: An Informal Autobiography of the City. For Miriam/Molly/Chickie as she was known, the written word and the book were essential to her life and wellbeing.

In her memory we honor a member of the writing community, especially those who live in Westbeth. The first annual Chaikin award will be presented on April 12, 2017 to two winners whose works resonated with the review panel – Carol Hebald and Christina Maile. Both writers captured our imaginations with very human stories, both with works set in exotic locales fraught with complex political and religious tensions.

Carol Hebald’s new book, A Warsaw Chronicle, is based on her experiences as a visiting academic in Warsaw at a time of great upheaval, as Poland experienced the imposition of martial law and threat of Soviet invasion due to the growing power of the Solidarity movement. In this politically-charged context, the American protagonist Karolina Heybald’s life becomes linked with her gifted student Marek, and complicated by her search for her long-lost Jewish relatives. The book will be published in March 2017.

Christina Maile submitted a series of short stories, half of which are in the manner of a memoire, while the others are set in Iran. Her characters are remarkably rich and developed for their presence on a few short pages, and her descriptions evoke all of the readers’ senses as she writes about a garden in an Iranian home, the texture of marshmallow fluff, the touch of scissors on hair during a haircut, or the sweetness of ripe fruit.
Carol and Christina will both read from their works at a celebration in the Westbeth Community Room on April 12th at 7 PM and all are invited to attend and share in their fine works.

CHRISTINA MAILE
Really I have gone from one thing to another. After studying Russian Medieval History in college, I co-founded the Westbeth Playwrights Feminist Collective, one of the first feminist theater groups in New York City – Wikipedia article. I became a landscape architect because I fell in love with drafting tools. Some of my designs were published in Landscape Architecture Magazine, among others. My essays on the philosophy of landscape appeared in the Canadian journal, On-Site.

On a vacation 20 years ago, I joined the Friday Night Painters, taught by Dan Rice, a second-generation abstract expressionist painter, and one of the finest painters I have ever known. His class met on Fridays. We are exhibiting at the Guilford Art Center in Connecticut in July 2017

I became a printmaker because there was a communal printmaking studio in Westbeth. In 2013, I received a Pollock-Krasner Foundation Grant, and a Joan Mitchell Foundation Studio Grant. My print work is in the Elizabeth Sackler Collection of Feminist Art at the Brooklyn Musuem, NYC, as well as in various living rooms all over the USA.

Intermittently I have taken Karen Ludwig’s weekly writing workshops. She and the other workshop members – Diane Spodarek, Dawn DÁrcy, Joyce Aaron, Nancy Gabor, Shami Chaikin – are the most encouraging people a writer could ever have. Also pretty inspiring, are my writer friends Deb Lucke and Anja Murmann whose graphic novels and screenplays I am lucky enough to read ahead of everyone else.

That such an itinerant life would lead to this writing award from the Endowment points to the lives of Miriam and her family who were always ready to take a chance, and in so doing gave a lot of people a chance to be themselves.

I am never any good at readings. Still I will be giving one with Carol Hebald on April 12, 2017. She is truly a wonderful reader of her work. So if you come on the evening when we read, come to hear her. I might even ask her to read mine.

CAROL HEBALD
A former Teaching and Writing Fellow in fiction at the Iowa Writers’ Workshop, Carol Hebald received her MFA in 1971. Having taught creative writing at the university level for the next thirteen years, she resigned a tenured associate professorship in English at University of Kansas to write full time.

She has since published the novella collection, Three Blind Mice (Unicorn Press, 1989), the memoir, The Heart Too Long Suppressed (Northeastern University Press, 2001); and more recently four books of poetry: Delusion of Grandeur (2016), Colloquy (2015), Spinster by the Sea (2005), and Little Monologs (2004).

Co-winner with Christina Maile of the Miriam Chaikin Writing Award for her novel, A Warsaw Chronicle, forthcoming from Regal House Press on March 24th, she will be reading from it on Tuesday, March 28th at Cornelia Street Café at 6 p.m., and will share the podium with Christina at the Westbeth Community room on April 12th.

Carol is currently working on a play about Watergate heroine Martha Mitchell. Her website is: www.CarolHebald.com.

WESTFEST DANCE 2017

WESTFEST BIGGER POSTER

WESTFEST is an annual dance festival presented in the historic Westbeth Artists’ Residence building. The festival aims to open the Westbeth building to dance artists and audiences and engage the resident artist population with a broader community of artistic stewards of Westbeth and its legacy.

The festival has two distinct programs. WestFest Top Floor, at the Martha Graham Studio Theater, presents visionary artists in a traditional theater setting. All Over Westbeth is the site-specific program showing a variety of unconventional and unique approaches to dance and space.

Westfest Postcard 2017 (BACK)

WESTFEST | TOP FLOOR
April 27-30, 8PM (Thursday-Sunday)
Four shared evenings of dance in the Martha Graham Studio Theater, 55 Bethune,
11th floor. $20 admission.

The starlit Martha Graham Studio at Westbeth offers two performance programs over four nights. All artists will present up to 10 minutes of original dance, in a shared evening format. Estimate run time: 1hr / no intermission

On Thursday April 27 and Saturday April 29, WestFest Top Floor will feature works by Amos Pinhasi, Madison Hicks, B.U.M.P. (Button Universal Movement Project), MMDC/Mari Meade Dance Collective, ChristinaNoel & the Creature, NSquared Dance Company, Carol Nolte/Dance Collective and Amanda Hameline Dance

On Friday April 28, and Sunday April 30, WestFest Top Floor will feature works by Jeff Sykes, Dance Traveler by Young Hoon Oh, Donnell Oakley Makes Dances, Jerica Niehoff, Alethea Pace and Trezon Dancy.

The Friday and Sunday performances will also include Guest Artist David Parker/The Bang Group.

Tickets are $20 for general admission and can be purchased via credit/debit card online at westfestdance.com or with cash at the door.

The Box Office will open at
7:30PM each evening.

WESTFEST | ALL OVER WESTBETH April 29 and 30 at 2 pm.
Two days of site-specific performances.

Guided Tours Every 15 Minutes. All tours start in Westbeth Courtyard, 155 Bank
Street. Last Tour departs at 3:30PM. FREE EVENT

This walking tour, led by Westbeth residents, will share a series of short, site-specific live performances in spaces located all over the iconic artists’ residence—courtyard, basement, rooftop, studios and stairwells.

Dance makers showing site-specific work in All Over Westbeth are BOINK! Dance & Film, Ambika Raina & Michael Parmelee, Erica Saucedo/vis-a-vis, Ashley McQueen/Smashworks Dance Collective, Quinn Dixon & Bree Nasby/Private Parts, Deborah Lohse/ TruDee, Emily Craver/The Little Streams, Sarah Nagle & Justin Ross/ Urban Humans, Molly Mingey/ MollyMingey Projects.

All Over Westbeth Guest choreographers are Virginie Mécène and Jelon Vieira/ Dance/Brazil.

WESTFEST 2017 TEASER
https://vimeo.com/195159735

ABOUT THE CURATORS / PRODUCTION TEAM

CAROL NOLTE/DANCE COLLECTIVE (Artistic Director) founded WestFest 7 years ago as a response to the financial strain of the Recession, offering choreographers free performance opportunities at the Westbeth Artisits’ Residence, her home for the last 26 years. She has also created over 50 dances for her award-winning company Dance Collective. www.dancecollectiveny.com.

AMANDA HAMELINE (Production Manager / Top Floor Curator) Amanda Hameline is a choreographer, producer and arts administrator. Her choreography works with movement and text to create comical, dark, strongly narrative experiences, and has premiered at Pace Gallery, Triskelion Arts, the Hotel Chelsea, Dixon Place, Ars Nova, CPR and more. Amanda is also a founding director of the non-profit production company, Amanda + James.

LAUREN HAFNER ADDISON & DYLAN BAKER/BOINK! DANCE & FILM (All Over Coordinators) BOINK! is a modern dance company that explores the infinite possibilities in the world of film and live performance. Founded in 2013, artistic directors Dylan Baker, Lauren Hafner Addison, Kate Bishop and Cassandra Motta have been creating together for the past ten years. From the company’s inception, video editor Christopher Huth continues to be an essential part of our aim to combine dance and film. http://www.boinkdance.com

Lighting Designer: Nick Hung

Producer: Westbeth Artists Residents’ Council (WARC). George Cominskie, President

WestFest is made possilbe in part with public funds from Creative Engagement/ Creative Learning, supported by New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legistlature and administerd by Lower Manhattan Cultural Council. LMCC.net

WestFest is made possible by a generous grant from NYC Councilmember Corey
Johnson.