Author Archives: Christina

SuZen VISIONS OF LIGHT & SPIRIT 50th anniversary retrospective exhibit

SuZen SELF PORTRAIT

SuZen SELF PORTRAIT

Join SuZen at her 50th anniversary retrospective, “VISIONS of LIGHT&SPIRIT” exhibition, opening SUN, MAY 1ST at Westbeth Gallery. On view will be photographs from 1966–2016 and SuZen’s newest multi-media installation. “Transmigration,” inspired by Buddha’s teachings, invites viewers to enter surreal holographic worlds from lower realms to liberation.

SuZen’ Press
DNA Info: Exhibit To Showcase Work of Artist Behind Decades-Old Times Square Mural http://bit.ly/sz-DNA
West View News : A Village Original bit.ly/sz-WVN
Chelsea Now: Suzen sees Visions of Light and Spirit bit.ly/sz-cn

SuZen is a fine-art photographer, designer, educator and peace-activist. Her photography has been exhibited in museums and galleries internationally and in numerous public and private collections. Recipient of numerous grants, NYSCA funded a 40’ x 23’ painted mural of her photograph, “Flowing Light,” on 42nd Street across from the Port Authority Bus Terminal in Times Square.

Committed to always pushing the photographic medium into new dimensions, SuZen’s artwork has evolved from traditional black and white photography shown in galleries to public spaces with performances in the lobbies of the One World Trade Center; Port Authority Bus Terminal; and TWA Terminal at JFK Airport. In 1979, SuZen began organizing events in public spaces around NYC. Through the Organization of Independent Artists, she curated “50 NYC Photographers” in the lobby of 26 Federal Plaza. In 1981, she founded, Art for the People, and coordinated numerous public events including her first performance/art installation, “Coming from Blindness Into Sight,” (1982) in the lobby of One World Trade Center. Receiving a grant from the NEA, she co-created a 4 Woman Inter-Arts performance/installation, “Between Spaces,” in the TWA terminal at JFK airport. In 1984, to commemorate the anniversary of the bombing of Hiroshima, she coordinated the first Universal Peace Day in Central Park, which has become an annual event.
 
SuZen has taught photography at International Center for Photography, Pratt Institute, Lehman College, Hunter College and Marymount Manhattan College. Last year, she retired as a full-time professor at Art Institute of New York City, where she taught digital photography and graphic design.
 
More info:www.suzennyc.com
50 photos to celebrate 50 years – a photo a day! http://bit.ly/SuZenGPlus

GALLERY EVENTS
Sunday May 8 at 3PM – SuZen presentation
Sunday May 15 at 3 PM – SuZen presentation

TRANSMIGRATION – a multi-media installation by SuZen
by P Segal

In “Transmigration”, New York City photographic artist, SuZen, combines multi-media, moving images of the natural world in a looping installation that represents Buddhism’s concept of the realms of consciousness. Two synchronized projectors cast images onto hanging layers of diaphanous fabric. The multiple layers of the sheer gauze create a holographic effect in which the viewers enter and are transported into ever-changing images and sounds of the ethereal worlds of the biosphere.

Transmigration begins with a bang, symbolic of the beginning of life on earth, and then fades to light. Images of the beginnings of consciousness take the viewers to the dark lower realms, where schools of sardines and jellyfish travel; a single stingray swims alone towards liberation from the lower realms and into bird form; the images encapsulate the essence of evolution and transmigration, the passage of the spirit, after death, into another body. Birds fly up and into the distance, replaced by Monarch butterflies, symbolic of transformation. The turtle appears, as he does in Buddhist teachings, as the symbol of human good fortune. The turtle represents transition, a creature at home on land and water. In the sly humor of Buddhist teachings, the turtle is a frequent character. Buddha asked, “What is the possibility for a blind turtle to raise up in a golden yoke every 100,000 years?” The answer: “Very rarely.” As the daylight footage fades to twilight and darkness, images of lightning and the sounds of thunder bring the 5 minute long loop again to the big bang.

The flowing images of nature in Transmigration, projected onto the overlapping layers of gauze, escape the two-dimensionality of images on film, taking on the multi-dimensional fullness of the teeming, and ever-changing elements of the natural world. The gauze itself changes the viewer’s perception of the images, as it moves, almost weightlessly, in the air currents, drafts, or human movement in its space. The immersive quality of the installation pushes the boundaries of photography and surrounds the viewer with the sounds of nature it presents. Transmigration is the most recent installation of SuZen’s LightVisions series.

SuZen shot the footage for this installation at Coney Island, Brooklyn and various sites in California.

Over the years, she has received numerous grants for her work from the National Endowment for the Arts, the New York State Council for the Arts, the Department of Cultural Affairs, and the New York Foundation for the Arts. Her work has been exhibited internationally in museums and galleries.

Current Relevance
“Transmigration” is a new multi-media artwork created by SuZen, a lifelong New York City photographer and designer, in celebration of her fifty years of work in the photographic arts. A resident of Westbeth for many years, SuZen’s long career will be honored with a 50-year retrospective, entitled, Visions of Light&Spirit in the Westbeth Gallery in May of 2016.

About SuZen
• 40’ x 25’ painted mural on 42nd Street, NYC
• Exhibited in museums and galleries internationally
Museum Ludwig, Cologne, Germany
Zabriskie Gallery, NYC.

• Recipient of grants from:
National Endowment for the Arts (NEA)
New York State Council on the Arts (NYSCA)

New Yorkers are familiar with SuZen’s photograph, “Flowing Light,” seen as a 40’ by 25’ painted mural across from the Port Authority Bus Terminal on 42nd Street. It was funded by a grant from the New York State Council on the Arts.
SUZEN Mural

Further info:
www.suzennyc.com

Carol Hebald and
Eunice Lipton :
An Evening of Memoir

CAROL HEBAL EUNICE LIPTON EVENIG OF MEMOIR May 5 John Poster

Where: Westbeth Community Room
When: Thursday, May 5 2016 at 7:30pm
Address: 55 Bethune Street, New York, NY 10014
or enter through courtyard at 155 Bank Street and go up the steps/ramp. Community Room is on your left.
Subway: A, C, E, 14th and 8th Avenue

Carol Hebald will read from her memoir, The Heart Too Long Suppressed. Eunice Lipton will read from her new book, A Distant Heartbeat: A War, A Disappearance, and a Family’s Secrets.

Carol Hebald

Carol Hebald

CAROL HEBALD will be reading from her memoir, THE HEART TOO LONG SUPPRESSED: A Chronicle of Mental Illness (Northeastern University Press, 2001), in which she tracks the development of her former mental illness, and place within a historical context of her helpers’ errors in judgment. She pinpoints what went wrong, so that readers in similar situations, might avoid her pitfalls.

 

 

EUNICE LIPTON  Memoir  and History

EUNICE LIPTON will read from her new book, “A Distant Heartbeat: A War, a Disappearance, and a Family’s Secrets.” It’s about a boy who slips away from his family and crosses an ocean to fight in a foreign war—the Spanish Civil War. His jealous brother, the author’s father, sabotages him and leaves a trail of prickly questions that many years later send the author in search of a packet of missing letters, the boy’s Communist comrades and her father’s treachery.

Where to purchase Eunice Lipton books: http://eunicelipton.com/
Book trailer: https://youtu.be/GCMpNPS47Go

CAROL HEBALD was an actress for twelve years on the New York stage before enrolling as an English Major at the City College of CUNY, from where she graduated magna cum laude in 1969. Subsequently awarded a Teaching and Writing Fellowship in fiction at the Iowa Writers’ Workshop, she received her MFA in 1971. A former associate professor of English and Creative Writing at the University of Kansas, she is the author of three poetry collections, Colloquy, Spinster by the Sea and Little Monologs; the memoir, The Heart Too Long Suppressed; and the novella collection, Three Blind Mice. Her book-length poem, Delusion of Grandeur is forthcoming in May, 2016, and her novel, A WARSAW CHRONICLE, will be out next December.

EUNICE LIPTON was born in the Bronx, is a fervent New Yorker, but lives half the year in Paris. She writes memoir, cultural history and art criticism. Lipton received her Ph.D. in art history from NYU’s Institute of Fine Arts. Her interests lie in the social history of art.

WESTBETH HOME TO THE ARTS
55 Bethune Street
(b/w Washington and West Sts.)
New York, NY 10014

FOR IMMEDIATE RELEASE
MEMOIR AND HISTORY
Carol Hebald and Eunice Lipton
Book Reading
Where: Westbeth Community Room
When: Thursday, May 5 2016 at 7:30pm
Address: 55 Bethune Street, New York, NY 100
Subway: 14th and 8th Avenue

WESTBETH FLEA MARKET
ANNUAL SPRING SALE
May 21 and May 22, 2016

FLYER

Saturday May 21, 11 am – 6 pm
Sunday May 22, 11am – 6pm

Westbeth Basement
55 Bethune St (elevator) corner of Washington St
137 Bank St (stairs) corner of Washington St

Info: westbethfleamarket@gmail.com

More info on History of Flea Market here

Westbeth is a home to artists – painters, dancers, actors, writers, sculptors, musicians and more. What they donate to the Westbeth Flea Market are the things they have found to be amusing, beautiful, useful, and astonishing.

You will find here not just and incredible array of books, objects, clothes, artwork, etc, but an artistic aesthetic which reflects not only what Westbeth artists have collected passionately for themselves, but what they have created out of passion.

Our customers include families, techno nerds, artists, set designers, students, art collectors, bargain hunters, book lovers, musicians, people in need of cool (and warm) clothing, treasure seekers, and dreamers.

At the Westbeth Flea Market, you will find the extraordinary. At very affordable prices. COLLECT LIKE AN ARTIST!

Eunice Golden, Lorraine O Grady,
Hannah Wilke, Walter Weissman in
Concept, Performance, Documentation, Language Show at The Mitchell Algus Gallery Feb 20 – April 17, 2016

Neke Carson - Retrospective Vito Acconci - Seedbed Sonnebend 1972

Neke Carson – Retrospective Vito Acconci – Seedbed Sonnebend 1972

EUNICE GOLDEN Reorient Human Figure

EUNICE GOLDEN Reorient Human Figure

PARTICIPANTS

Martha Wilson,Vito Acconci, Willoughby Sharp, Hannah Wilke,
Eunice Golden, Neke Carson, Roberta Allen, Adrian Piper, Roger
Welch, Karen Shaw, Jeff Way, Hans Breder, Susan Bee, Marc H.
Miller, Gene Beery, Eleanor Antin, Walter Weissman, Lorraine
O’Grady
, Peter Moore, Joan Jonas, Jaime Davidovich, Bettie
Ringma, Mac Adams, Kerry Schuss, Morgan O’Hara, Stefan Eins,
Tehching Hsieh, Jack Smith, Indra Tamang, Charles Henri Ford,
Lynn Hershman Leeson, Trisha Brown, Duff Schweninger, Jared
Bark, James Collins, Betty Tompkins, Arthur Cohen, Christopher
D’Arcangelo, Roy Colmer, Dennis Oppenheim, Marcia Resnick,
Gerald Hayes, Terry Berkowitz, Charles Gatewood, Christopher
Rauchenberg, Stuart Brisley, Lee Lozano, Gordon Matta-Clark,
Bill Beckley, E’wao Kagoshima, Robert C. Morgan, Colette,
Janice Guy, Carolee Schneemann

The Mitchell Algus Gallery presents Concept, Performance, Documentation, Language, a group show of work that employs photography, performance, surveillance, data acquisition and participatory intervention to make art that is narrative, analytical, speculative, critical and documentary.

With 50 artists, most of whom worked–and continue to work–in New York, Concept, Performance, Documentation, Language illustrates the shared interests and common endeavor that animated a loosely defined community of artists from the late 1960s to the early 1980s. The exhibition is a meditation on what history gets written and, provided context and equanimity, how that perceived history can be comprehensively and cohesively revised. History is a process.

Interestingly, the current show parallels in part, Jeffrey Deitch’s first curatorial outing in 1975, Lives: Artists who deal with peoples’ lives (including their own) as the subject and/or medium of their work. Many of the participants in Lives were younger conceptual artists engaged in the openly aesthetic practice of vernacular sociology, behavioral psychology, and local ethnography. Unlike first-generation conceptualists such as Sol LeWitt, Joseph Kosuth or Lawrence Weiner whose work was rigorously formal and to a degree academic, these new artists set out to consider real life, their life, and produce some edifying, playful, acerbic, or confounding analysis and documentation of it. Many of the artists also began to broach trenchant questions of personal and group identity, igniting concerns that continue to preoccupy much recent art.

GALLERY (Exhibitions, Artists, Information)

Mitchell Algus Gallery
132 Delancey Street, 2nd floor
New York, NY 10002
212-844-0074
office@mitchellalgusgallery.com

bold – current or former Westbeth residents

Arlene Gottfried’s BACALAITOS & FIREWORKS opens at Daniel Cooley Fine Art on March 3, 2016

Arlene Gottfried Bacalaitos March  2016

Arlene Gottfried
BACALAITOS & FIREWORKS

March 3 – April 16, 2016

Daniel Cooley Fine Art
508- 526 West 26th Street
New York, NY

OPENING Thursday March 3, 6PM – 8PM

Conversation with Arlene Gottfried and Paul Moakley
Saturday April 2 at 3PM

More info on Arlene Gottfried
Arlene Gottfried – Singer, Photographer
www. arelenegottfried.com

Lorraine O’Grady’s work featured in Art in America, Paris Review, Brooklyn Rail

Lorraine O’Grady: Miscegenated Family Album (Sisters III), L: Nefertiti’s daughter, Maketaten; R: Devonia’s daughter, Kimberly, 1980/94, Cibachrome prints, 26 by 37 inches overall; at the Carpenter Center for the Visual Arts

Lorraine O’Grady: Miscegenated Family Album (Sisters III), L: Nefertiti’s daughter, Maketaten; R: Devonia’s daughter, Kimberly, 1980/94, Cibachrome prints, 26 by 37 inches overall; at the Carpenter Center for the Visual Arts

“Where Margins Become Centers” explored forms of internalized and externalized oppression. Photographic diptychs filled the walls, establishing seductive dualities—aesthetic twinnings that propose both false origins and uncanny parallels.
– from Kirsten Swenson review in Art in America Review February 2016
http://www.artinamericamagazine.com/reviews/lorraine-orsquogrady/
Lorraine O’Grady’s exhibit “Where the Margins Become Center” was at the Carpenter Center for the Visual Arts at Harvard from October – January 10, 2016.

Lorraine O Grady 2 Rivers

Jan 23, 2016. Caille Millner’s article brings new understanding to the content of O’Grady’s work. Unlike those who’ve seen Rivers, First Draft as surrealist — in the way early readers saw García Márquez’s 100 Years of Solitude as surrealist when that novel was, if not realistic, quite real — Millner deftly demystifies the piece’s collage aesthetic as literalized metaphor. She sees the 1982 Central Park performance as an instructional guide to women of color who want to become artists.

http://www.theparisreview.org/blog/2016/01/13/rivers-first-draft/

Lorraine O Grady 3

Feb 03, 2016. In this cover feature, her most important published interview to date, O’Grady discusses Flannery O’Connor as a philosopher of the margins, working out emotions via Egyptian sculpture, Michael Jackson’s genius, and feminism as a plural noun.

http://www.brooklynrail.org/2016/02/art/lorraine-ogrady-with-jarrett-earnest

Lorraine O’Grady website.

NEW WEBSITE

lorraineogrady.com now back online!

lorraine o grady 4

Feb 10, 2016. When the website first launched in 2007, it was seen as a model artist site. When it died in September 2015, tears were shed. But the loss proved a great opportunity. Now, after four months of round-the-­clock work, the rebuild is being launched with not only a new look and interface, but expanded resources and info. The Art, Writing and Press menus have grown and become more user­-friendly… and there’s a new Home page with images and featured items, as well as a new About page with its own gallery.

http://lorraineogrady.com

Michelle Weinberg at Center for Book Arts on February 19, 2016 at 6:30PM

Michelle Weinberg.  Haiku 2014

Michelle Weinberg HAIKU 2014

Friday, Feb 19, 6:30 pm
Center for Book Arts
28 West 27th St, 3rd Flr
New York, NY 10001
212-481-0295

Artist Roundtable discussion in conjunction with the Featured Artist Project exhibition SWEAT Broadsheet Collaboration.

Participating artists are Lea Nickless, Carol Todaro and Michelle Weinberg.

SWEAT Broadsheets, on view at the Center for Book Arts through April 2, consists of seventy-eight broadsheets created in collaboration by 46 artists and 40 writers in South Florida.

Fine art prints created in a wide variety of media, including letterpress, silkscreen, etching, digital pigment prints, relief prints, monoprints and many forms of hand work, including hand coloring, hand-cut paper and applique on fabric. The SWEAT Broadsheet is an ongoing process of collaboration that stimulates new concepts and methodology.

Artists include Gary Moore, Michelle Weinberg, Lea Nickless, Tom Virgin, Carol Todaro, Laura Tan, Alfredo Useche, Rosemarie Chiarlone, and Sara Stites.