Thursday May 16, 2019 at 7PM
Westbeth Community Room

David Del Tredici, American composer and long time resident of Westbeth

The Pulitzer Prize winner in Music and a former Guggenheim and Woodrow Wilson fellow, Del Tredici is considered a pioneer of the Neo-Romantic movement. He has also been described by the Los Angeles Times as “one of our most flamboyant outsider composers”

Del Tredici draws on literature for his song cycles including Lewis Carroll (particularly Alice in Wonderland), but he has also been inspired by contemporary American poets, especially Westbeth Icon, Edward Field.

Del Tredici has also created works celebrating “gayness”, acknowledging that many great composers were gay and that “it’s something to be celebrated”. A reviewer has noted that themes in his work examine “tormented relationships, personal transformations, and the joys and sorrows of gay life”. He is a member of the American Academy of Arts and Letters and has held additional residencies at Yaddo, the Virginia Center for the Creative Arts, and the MacDowell Colony.

Westbeth Icon Series celebrates the life and work of senior artists who continue to work and who inspire others by their passion and dedication.

The evening consists of a filmed interview, live performances of Del Tredici’s work, and remarkes by the composer himself.

This is a special, not to be missed evening!

When: Friday May 10 at 7PM
Where: Westbeth Community Room
FREE SCREENING

A 2010 British documentary film, directed by street artist Banksy. It tells the story of Thierry Guetta, a French immigrant in Los Angeles, and his obsession with street art. The film charts Guetta’s constant documenting of his every waking moment on film, from a chance encounter with his cousin, the artist Invader, to his introduction to a host of street artists with a focus on Shepard Fairey and Banksy, whose anonymity is preserved by obscuring his face and altering his voice, to Guetta’s eventual fame as a street artist himself. It is narrated by Rhys Ifans. The music is by Geoff Barrow. It includes Richard Hawley’s “Tonight The Streets Are Ours”.

The film premiered at the 2010 Sundance Film Festival on 24 January 2010, and it was nominated for the Academy Award for Best Documentary Feature.

Since its release, there has been extensive debate over whether the documentary is genuine or a mockumentary, although Banksy answered “Yes” when asked if the film is real.

Sponsored by Westbeth Artists Residents Council

OUR 36TH YEAR OF BARGAINS GALORE

Friday, Saturday, Sunday
May 17, 18, 19, 2019
11AM – 5PM

Westbeth Flea Market, For countless years, has been a mecca for finding the unique and the beautiful at incredible prices. We also have become the best place to purchase beautiful original affordable art, donated by artists or the families of artists.

Westbeth is a home to the arts, to artists – painters, dancers, actors, writers, sculptors, musicians and more. What they donate to the Westbeth Flea Market are the things they have found to be amusing, beautiful, useful, and astonishing.

COLLECT LIKE AN ARTIST!

Proceeds of our sales go to maintaining gardens and street trees, sponsoring Westbeth projects, and low cost classes open to the public, such as the popular Feldenkrais class.

Proceeds also go to city, national and international charities, particularly disaster relief. Our recent charitable donations include Gods Love We Deliver, Puerto Rico Relief, Palestinian Children’s Aid, NY Times Neediest Cases, World Wildlife Fund, and many more.

Read more about the Beautification Committee which sponsors the Flea Market HERE

Where: Westbeth Community Room
155 Bank St, enter through courtyard

When: Thursday May 23, 2019 at 7PM

Writer, Director, Teacher and Performer, Steve Clorfeine will read from his latest book, Simple Geography. Over a period of 8 months, Steve create a collage journal of written notes and cut up images on alternating pages.”Occasionally one informed the other, but the image sometimes created its own story.”
Steve has published his writings in Parabola, and Contact Quarterly. His four books of poetry have been published by Station Hill Press, and Codhill Press.
He studied with Barbara Dilley – a member of Merce Cunningham’s company, and writing with Alan Ginsberg, Ted Berrigan, and Diane Di Prima.
He has taught at SUNY in New Paltz, Naropa University, Amsterdam Theater School, and the Dance Therapy Institute of Switzewrland.

Brenda Bufalino‘s latest book, Song of the Split Elm, re-creates and imagines the life of her great grandmother who lived on the Penobscot reservation on Indian Island in 1853… “Madeline was born singing. She sang melodies like chants, like forecasts, like conversations with flowers and birds.” Madeline’s father Jeremiah, a Calvinist preacher, lived in fear of his daughter’s unique voice and spirit, which could not be contained. Madeline’s Penobscot mother, Hannah, wove her baskets in silence far from Jeremiah’s hope for her redemption”.
Brenda is leading exponent and innovator in the tap world, performing, lecturing, teaching master classes and workshops throughout the United States, and the world.
​She has appeared as a guest soloist atCarnegie Hall, Avery Fisher Hall, The Apollo Theater, The Brooklyn Academy of Music, The Smithsonian Institute and the Kennedy Center.
Ms. Bufalino created The American Tap Dance Orchestra. They have appeared on PBS “Great Performances/Tap Dance in America,” “A Night of Tap At The Apollo Theater,” “The International Festival of the Arts in Central Park,” and seasons at “The Joyce Theater,”and “Dance Theater Workshop.”
A writer of essays and numerous articles, Ms. Bufalino also wrote the forward and afterword for the reissue of “Jazz Dance.”

Exhibition Dates: June 15th – July 6th, 2019

Gallery Hours: Wednesday – Sunday 1:00 – 6:00PM

Where: Westbeth Gallery 55 Bethune St between Washington and West Sts.

SPECIAL EVENT
Ze’eva Cohen and Avri Ohana in conversation with Terry Stoller, founder of Westbeth ‘s Oral History Project

Wednesday June 26the 7PM – 8PM
ADMISSION FREE

Avri Ohana is a multi-style artist whose new body of work presents paintings inspired by his love for classical music, opera and jazz. In following his intuitive response to music, Ohana finds a new sense of freedom as he lets unexpected elements surface in his work. This fresh approach yields mostly abstract paintings, while some are inspired by nature and some by opera. The delicate balance and nuance between color, shape, and form is his interest. What is important to Ohana is not how a painting is defined or classified, but if it is breathing and alive.

A retrospective of dancer and choreographer Ze’eva Cohen’s long career in dance containing photographs of her work taken by major dance photographers, as well as posters and videos. Two of her dances, Rainwood and Island, include projections of paintings by Ohana and will be screened continuously during the exhibit.

AVRI OHANA was born in Casablanca, Morocco and immigrated to Israel at the age of 12, where he was raised and educated in a kibbutz. As a young man, Ohana was an early member of Ein Hod, Israel’s first artist village, and it was there that he started to develop his artistic voice. His main influences during his formative years were the European Dadaist Marcel Janco, Dan Hoffner the director of Bezalel Art School in Jerusalem, the optical and kinetic artist Yaakov Agam in Paris, and primarily – the painter Eric Brauer of the Vienna School of Fantastic Realism. Ohana’s exhibitions include solo and group shows in Israel, Europe and the United States. Presently, Avri Ohana lives and works in New York City.

ZE’EVA COHEN is a dancer, choreographer, and dance professor emerita at Princeton University, where she founded and directed the dance program for forty years. Cohen grew up in Tel Aviv Israel. She traveled to New York in 1963 to study at the Juilliard School and perform with the Anna Sokolow Dance Company. A founding member of NY Dance Theater Workshop in the late 60’s, she was later known for her groundbreaking solo repertory performances. As choreographer, she worked with her NY dance group and with national and international dance companies, including Boston Ballet, Alvin Ailey Repertory, Inbal and Batsheva dance companies of Israel. In 2015 – her documentary film, Ze’eva Cohen Creating a Life in Dance, was featured in the Dance Camera Festivals both in NY and LA.

When: Wednesday June 12 at 7PM
Where: Westbeth Community Room
FREE
The Night of the Hunter is a 1955 American thriller film directed by Charles Laughton, and starring Robert Mitchum, Shelley Winters, and Lillian Gish. The screenplay by James Agee was based on the 1953 novel of the same title by Davis Grubb. The plot focuses on a corrupt minister-turned-serial killer who attempts to charm an unsuspecting widow and steal $10,000 hidden by her executed husband.

The novel and film draw on the true story of Harry Powers who was hanged in 1932 for the murder of two widows and three children in Clarksburg, West Virginia. The film’s lyrical and expressionistic style with its leaning on the silent era sets it apart from other Hollywood films of the 1940s and 1950s, and it has influenced later directors such as Rainer Werner Fassbinder and Robert Altman.

In 1992, The Night of the Hunter was deemed “culturally, historically, or aesthetically significant” by the United States Library of Congress and was selected for preservation in the National Film Registry. The influential film magazine Cahiers du cinéma selected The Night of the Hunter in 2008 as the second-best film of all time, behind Citizen Kane.

Effected by the work of Josef Albers and the American artist, Robert Swain, both who made extensive use of the square while brilliantly exploring the interplay of color, I to, along with several artists was attracted to a fixed format for exploring the phenomena & glories of color. I began doing hexagonal paintings early 1968. My first *Overlapping Hex was done in WestBeth, 1970. One day, nonchalantly holding 2 slides of the early overlap painting in my hand, one atop the other slightly askew, I suddenly saw new colors and most importantly—movement—back & forth—in & out of the picture plane that had excited me while drawing **Meditations on a Square—only now—I saw the same dynamic in color.

The Hallway show in 3 parts:

Part 1-March 2-31-Pencil on paper (1964 Tasmania).

Part 2— April 2-30. Pen & Ink on paper. Studying w/Tom Downing and seeing the works of Ken Noland, Tony Smith, Ronnie Bladen. (WashingtonDC 1967-69).

Part 3—A series of mono-print-drawings done not long after moving into WestBeth. (1970)

All work on paper for sale. POR Questions/comments contact: kenwade@me.com

BIO

Education

SUNY 1974 BFA 


Corcoran School of Art. 1966


Tasmanian School of Art 1963

Teaching

Figure Drawing , Parsons School of Design 1976-90
 Adjunct Professor of Art, Hunter College, NYC 1971-75

Selected Exhibitions

Argus Gallery, Melbourne, Australia, 1966


Corcoran Museum, Washington DC, 1968


Jefferson Place Gallery, Washington DC, 1968-69 


The Washington Painters. Baltimore Museum 


Julian Pretto, NYC 1974


OK Harris , 1975


Artist Space, NYC,1979 


Willard Gallery NYC, 1980 


The Pioneer Show, WestBeth Gallery, 
 2008 Sideshow Gallery,, Brooklyn NY. 2010
 Westbeth Gallery, NYC, 2010


Long Island University, Brooklyn Campus, 2011 
 Brick Gallery Hudson, NY 2012
 ATT Open Studio. NYC 2014


Extravaganzas of Obscurity Project Room, 2015
 Black & White Westbeth Gallery 2016

Ken Wade: Artist statement

For any artist to have spent over fifty years painting & drawing while not selling much of his/her production; that artist has the dubious pleasure to be constantly reminded of the stunning impact of time and circumstances on his life & work

Originally I submitted ‘BEFORE & AFTER’ as work done a year or so before moving into Westbeth followed by drawings done a year or two after. But in the interim I discovered work done in rural-(bush)Tasmania,(1964. These small pencil on paper horse drawings were done at the time I began thinking I was an artist.

A new landscape, all kinds of odd animals and the out of this world night time sky was exciting and fired my imagination to make large-hyper-expressive-somewhat-outrageous paintings On the other hand, the horses I thought a gift, perfect models and far more accommodating than the nocturnal—ill tempered Tasmanian devil—

After moving from Tasmania to Melbourne in 1966 I met a lovely woman, and within a year we married, moved from Melbourne to London to Boston to Washington DC where I had my first American exhibition at The Corcoran Museum (1968) followed by a couple of shows at The Jefferson Place Gallery (69-70).


On New Years Day of 1970 Margot, our son Adam and I moved into WestBeth Artist Housing; My first experience of living in a building alongside hundreds of artists.

The Hallway show in 3 parts:

Part 1-March 2-31-Pencil on paper (1964 Tasmania).

Part 2— April 2-30. Pen & Ink on paper. Studying w/Tom Downing and seeing the works of Ken Noland, Tony Smith, Ronnie Bladen. (WashingtonDC 1967-69).

Part 3—A series of mono-print-drawings done not long after moving into WestBeth. (1970)

All work on paper for sale. POR Questions/comments contact: kenwade@me.com

BIO

Education

SUNY 1974 BFA 


Corcoran School of Art. 1966


Tasmanian School of Art 1963

Teaching

Figure Drawing , Parsons School of Design 1976-90
 Adjunct Professor of Art, Hunter College, NYC 1971-75

Selected Exhibitions

Argus Gallery, Melbourne, Australia, 1966


Corcoran Museum, Washington DC, 1968


Jefferson Place Gallery, Washington DC, 1968-69 


The Washington Painters. Baltimore Museum 


Julian Pretto, NYC 1974


OK Harris , 1975


Artist Space, NYC,1979 


Willard Gallery NYC, 1980 


The Pioneer Show, WestBeth Gallery, 
 2008 Sideshow Gallery,, Brooklyn NY. 2010
 Westbeth Gallery, NYC, 2010


Long Island University, Brooklyn Campus, 2011 
 Brick Gallery Hudson, NY 2012
 ATT Open Studio. NYC 2014


Extravaganzas of Obscurity Project Room, 2015
 Black & White Westbeth Gallery 2016

In 2015 I exhibited EXTRAVAGANZA OF OBSCURITY in the Project Room which was presented in three parts and consisted mainly of painted and texturized Blue Mussell (Mytilus edulis) shells from Maine.

Part 4 continues using the often discarded mollusks shell, but rather than the previous attempts to decorate and alter the shell of earlier work, I have for the past few years used the mollusk’s natural state to explore its natural form.

The compositions are created on site for the Hall.

Ken Wade
2019