Author Archives: Christina

Westbeth FLEA MARKET Bargains Galore, Affordable Art and Nov 13 only, $5 Bag Sale

Bargains Galore

We receive donations from the artists at Westbeth and our community. The sale includes housewares, electronics, cameras, furniture, books, albums, men’s and women’s clothing, collectibles, fine fabrics and linens, sports, and more at low, low prices!

Our Affordable Art Department

specializes in original artwork including paintings, sculpture, fine art prints, and drawings from abstract to representational.

Covid 19

Masks, Vaccination Card and Proof of ID required for entry. Maximum occupancy 35 persons.

November 13, 2021 ONLY 11am – 2pm

NEW! Westbeth Tee Shirts

available in all sizes will be sold at Flea Market $20 each. Money raised will go towards Westbeth projects and programs.

Housewares

Books

Men’s and Women’s Clothing

Affordable Art

Collectibles

Collectibles

OPENING
Tuesday Election Day November 2, 2021 10am – 7pm

WEEKEND FLEA MARKET
Friday Nov 5 11am – 5pm
Saturday Nov 6, 11am – 5pm
Sunday Nov 7, 11am – 5pm

FOR MORE INFORMATION ON PROJECTS FUNDED BY FLEA MARKET Westbeth Flea Market

CONTACT: westbethfleamarket@gmail.com

SIGN OF THE TIMES
ART EXHIBIT

Opening Reception
Thurs, October 14, 6-9pm S

Show dates Oct 14 – Nov 13, 2021
Hours: Wed-Sun 1-6pm

Westbeth Home of the Arts is back with a bang after a long hiatus due to Covid and what better way to do this? by bringing together 8 amazing and uniquely different artists who’s take on the phrase:

Sign Of The Times
“Something judged to exemplify or indicate the nature or quality of a particular period”

Each artist has their own point of view whether its personal, political or time specific. The show features paintings, photography, a combination of both, sculpture, free hand paper cutting, dioramas and installation. These works will provoke us to question what is going on in the world right now and what kind of world are we leaving to future generations.

Artists

Illtyd Barrett, Christina Duarte, Elizabeth Gregory-Gruen, Stephen Hall, Steve Joester, Martin Mahoney, Rob Plater, Robert Ross

Illtyd Barrett
Barrett will explore the phenomena of the rise of populism and consumerism which has led to a climate of anti intellectualism and religious fundamentalism. Using hand made pigments and substrates, Barrett proposes to exhibit both sculpture and 2D elements reflecting the above concerns.

Christina Duarte
Now is the time to recognize that society requires women to behave in a particular way that often hides their true selves. My pieces are a diptych dialogue about women showing two sides of their personalities as a narration of rising against prejudice, sexism and the stigma of personal struggle.

Elizabeth Gregory-Gruen
Cut Work, is a free hand paper cutting process that charts the contours of our ever- changing emotional experience through the movement of form, line, color, and light and shadow. Evolving over the course of ten years, Cut Work traveled through Gregory- Gruen’s diverse vocabulary of mediums from paper and metal, to leather and 12-gauge gunshot blasts to understand the play between visceral emotional responses and meditative rest.

Stephen Hall
I continue to make paintings that draw attention to our planet in crisis.
Whether it is plastic pollution or the fossil fuel industry and climate change, it is most certainly greed at the heart of it. I draw attention to these things by rendering scenes that show the beauty of our natural world juxtaposed with symbols of the aforementioned.

Steve Joester
Capturing the cultural explosion propelled by Rock n Roll from the Rolling Stones to the Sex Pistols. Loud, brash, colorful and fueled by youth rebellion!

Martin Mahoney
Always had a keen interest in photography which has intensified recently due to the alarming acceleration in the gentrification of his beloved East Village, attempting to capture what’s left of the old neighborhood and its denizens, which are being replaced by glass boxes, banks and bubble tea joints.…

Rob Plater
The re-appropriation of styles and traditions within Robert’s work serves to bridge the gap between his favorite genres within the extensive history of image making.

Robert Ross
STOP, DANGER, HAZARDOUS MATERIAL, KEEP TO THE RIGHT, TRESPASSERS WILL BE PROSECUTED, CAUTION, DEAD END AHEAD

Contact: Curator Samantha Hall (646) 309 7109
samanthahall666@gmail.com

Westbeth Gallery: 57 Bethune Street, New York, NY 10014

FREE Flu Shots
Last chance at Westbeth

Westbeth Community Room
Enter through courtyard
155 Bank Street
b/w Washington and West Its
New York, NY

Wednesday Oct 13, 2021
1PM – 3:30PM

FREE

Please Note:
The waiting room will be outside the Community Room. Only person at a time will be allowed to enter.
Masks are mandatory
Bring a pen
Bring your glasses

Vaccine and staffing donated by Lenox Hill Greenwich Village, Northwell Health
Sponsored by Westbeth Artists Residents Council

Dieu-Nalio Chéry
Feature Article on Haitian Immigration

Photo; Dieu Nialo Chery

In Their Words: Haitian Immigrants in New York Describe Perilous Escape

Dieu-Nalio Chéry, a photojournalist, fled Haiti after gangs threatened his life. His latest subjects are others who, like him, are far from home.

By Pierre-Antoine Louis. Photographs by Dieu-Nalio Chéry
Published Oct. 3, 2021
Updated Oct. 4, 2021

As a young man, Dieu-Nalio Chéry fell in love with photography while working in his uncle’s photo studio in Port-au-Prince, Haiti. But after a powerful earthquake devastated the country in 2010, he turned what had been a freelance pursuit into a profession, going to work for The Associated Press in Haiti.

For the next decade, he crisscrossed the island nation, documenting major news events and focusing on human rights issues as they emerged. In a country with a literacy rate of 61 percent, Mr. Chéry’s photographs were a potent means of informing the public. Last year, he was a finalist for the Pulitzer Prize for photography for his images of unrest there.

Then in July, he had to flee Haiti after gangs threatened his life. He is now living in New York on a cultural exchange visa and has turned his attention to documenting Haitians who have been living in the city since the federal government extended special protections to them under the Temporary Protection Status, or TPS, program.

=.Excerpted from NY Times. Read full article HERE

Read more about Westbeth’s Safe Haven for Artists at Risk HERE

Susan Berger
Mohawk Hudson Region Art Exhibit

“The piece is from the Memoir series. It is snapshots found in a photo album. The middle section is of rug hooking techniques win varied and vibrant colors. The top portion is of black and white images on a family cruise more defined as at the time of the photos. The bottom is in sepia tone images as faded over time and loss of the images and time plays a role and maybe the existence is less there. These images of photographs are encased or enshrined in boxes of the same dimensions. The middle section is the swimming pool onboard a cruise ship and the other is one sister in front of a large food display portraying that time of year of the journey on the cruise: Easter.”

Albany International Airport Gallery
September 10 – November 8, 2021
737 Albany Shaker Road, Albany, NY

There are three locations that are being presented simultaneously: Albany Center Gallery, Opalka Gallery, and Albany International Gallery. This is all part of the Artists of the Mohawk Hudson Region. The area is a 100-mile radius from Albany, NY which includes Connecticut and Massachusetts. There were 561 entries by artists across the region. From those, our jurors selected 143 works of art from 96 artists.

The work selected of Susan Berger:

Sisters on a Cruise Ship with Snapshots
48″ (w) x 48″(h) x 3″(d)
2019
Fiber Mixed Media

Juror: Tommy Gregory, Public Art Program Senior Manager and Curator for the Port of Seattle

More info on the Gallery: Albany Airport Art and Culture Program

Kate Walter
Behind the Mask
A memoir

Behind the Mask: Living Alone in the Epicenter
By Kate Walter

Kate Walter loved her life as a single gay woman living in New York City’s famous Westbeth Artists Housing in Greenwich Village. She was in that sweet spot—recently retired from a long teaching career, but hardly retired, she was living the dream. Finally, her time was her own, a chance to expand and explore.

She was embedded in a vibrant artistic community. She was a published writer, met friends for lunch, went to museums, and concerts, and readings. She took yoga classes and belonged to a writing workshop, a singing group, a church. She celebrated all the holidays with her family in New Jersey.

In early 2020, the lively community of Westbeth Artists Housing was gearing up to celebrate its 50th anniversary. But when New York City went into Covid 19 pandemic lockdown, Westbeth turned into a ghost town. Kate’s carefully constructed social life crashed. Suddenly, she was trapped at home, living in the pandemic epicenter. The brief conversations with masked neighbors in the hallway or on the sidewalk became her lifeline. Her life moved onto Zoom and she took comfort watching worship services streamed every Sunday. Then the unimaginable happened. Her church burned down in a six-alarm fire. Now there literally would be no sanctuary left to return to after the pandemic – whenever that would be.

Kate was lonely and scared. The isolation was hard on everyone. For cultural creators, perhaps an extra degree of hard. She melted down in lockdown. She dreamed the city was on fire. She hit the wall. But she picked herself up and called upon her resilience and spiritual practices to stay safe and get through the isolation. In a welcome break from the pandemic, she celebrated in front of the Stonewall Inn when Biden won the election. And she started penning columns for The Village Sun, a local community publication. Writing became her salvation. Behind the Mask Living Alone in the Epicenter is Kate’s memoir in essays detailing her life from March 2020-May 2021 about this traumatic time in New York City.

More than a year later, as Westbeth and New York City reawakened, Kate emerged with a deeper appreciation for her home and the everyday things she took for granted. As she gradually took off her mask and started to enjoy life again, she felt forever changed.

Behind the Mask: Living Alone in the Epicenter
By Kate Walter
Heliotrope Books
November 16, 2021
Nonfiction; Memoir Of Essays
Price: $16.00 paper; $8.99 e-book
ISBN: 978-1-942762-81-2 paperback; 136 pages
978-1-942762-82-9 e-book

BONUS CONTENT
• 12 Pandemic Writing Prompts and blank pages for the reader to journal their own Covid 19 Pandemic lockdown memories
Writing helped me cope with anxiety, and I felt it was important to record what was going on during this unprecedented time. Now it’s your turn to journal about your experiences during the pandemic. Here are some prompts to use as some jumping-off points. -Kate Walter
• Part Two: Life Before the Pandemic – four additional essays by the author

PODCAST WITH KATE WALTER An Interview about the book.

INTERVIEW WITH KATE WALTER: Magnification of Memory

ABOUT AUTHOR KATE WALTER
Kate Walter is the author of Looking for a Kiss: A Chronicle of Downtown Heartbreak and Healing. Her essays and opinion pieces have appeared in The New York Times, Newsday, New York Daily News, AM-NY, Next Avenue, and many other outlets. She taught writing at NYU and CUNY for three decades. Walter has documented her life in downtown Manhattan since 1975. She has been
dubbed “that world’s Samuel Pepys.”

ADVANCE PRAISE FOR BEHIND THE MASK
In Behind the Mask, Kate Walter has crafted an intimate and impassioned account of one woman’s life during the pandemic. In a series of essays, she examines a year of lockdown, the fears of isolation, the memories that tragedy and loneliness forced to the surface, the moments of humor, and especially the acts of kindness that brought New Yorkers, and her community at Westbeth, together. — Gabrielle Selz, author, Light on Fire: The Art and Life of Sam Francis and UnStill Life

A compelling memoir of the covid pandemic lockdown and its impact on one woman’s life. Kate Walter – a longtime resident of the iconic Westbeth Artists community – shares the loneliness and sorrow of being isolated from family, friends, and activities. As she examines lessons learned throughout the ordeal, she rediscovers hope in often surprising ways. Each vignette is rich with engaging personal and contextual detail – from reflecting on her late mother’s resilience to celebrating the presidential election outside the Stonewall Inn to mourning the tragic fire at her beloved Middle Collegiate Church to finally getting the vaccine. Beautifully written, this is a warmly insightful read with universal appeal. — Carol J. Binkowski, author, Opening Carnegie Hall: The Creation and First Performances of America’s Premier Concert Stage

A moving, colorful account of covid, the Village, family, being gay and living life with spirit, truth, and heart.
— Donna Florio author, Growing Up Bank Street, A Greenwich Village Memoir

Covid struck us in two dimensions, the public and the private. Kate Walter’s chronicle of the plague year in Manhattan, from the ambulance sirens of one March to the vaccine hopes of another, illuminates both dimensions. It’s a season-by-season journey narrative of one woman’s progress through a city stunned yet bravely resilient and through the personal challenges faced by everyone who, like Walter, treasures the daily encounters that define urban living and the cosmopolitan spirit. These essays are vignettes of fear and loss, and, finally, of hope and determination. If we wonder how New York, and the rest of us, got through a terrible year, Behind the Mask just may have the answer.
— Bill Scheller, author, America: A History in Art and In All Directions: Thirty Years of Travel

Kate’s writing always connects with readers. She picks important and interesting subjects and writes about them in a way that really grabs readers, that people can identify with. Her writing style is accessible and compelling, and her honesty about whatever it is that she’s personally going through at that moment — or commenting about, maybe a larger political issue, etc. — really comes through. The way she personalizes the events of our day really resonates with readers. —Lincoln Anderson, editor and publisher, The Village Sun, former editor, The Villager.

MEDIA CONTACT
Jennifer A. Maguire
Maguire Public Relations, Inc./Heliotrope Books
917-596-5136, jen@maguirepr.com