Lorraine O’Grady: Both/And
March 5–July 18, 2021
Elizabeth A. Sackler Center for Feminist Art, 4th Floor
Lorraine O’Grady: Both/And is the first retrospective of one of the most significant contemporary figures working in performance, conceptual, and feminist art.
The exhibition features twelve of the major projects O’Grady has produced over her four-decade career and also debuts a much-anticipated new installation. In addition to works presented in the Elizabeth A. Sackler Center for Feminist Art, five of O’Grady’s projects are installed in collection galleries throughout the Museum, highlighting the artist’s long engagement with art historical omissions and institutional failings related to the creative agency of those excluded from the canon. O’Grady’s radical revisionism of the 1980s and 1990s anticipated themes that have been embraced by a younger generation of artists and thinkers, inspiring them to resist and reshape a world structured by difference and inequity.
For moe info: Brooklyn Museum
Excerpt the New York Times Conversation with Lorraine O’Grady “Both Sides Now”
by Kate Guadagnino
Published Feb. 22, 2021
Updated Feb. 23, 2021, 2:02 p.m. ET
In 1977, in a nod to the Surrealists, the conceptual artist Lorraine O’Grady started cutting phrases out of The New York Times and rearranging them into lines of poetry, which she glued, mostly slantwise, onto sheets of rag paper: “Dinner is reserved for/Twin Speech: A Language of Their Own” reads one spliced fragment. She was in her early 40s. Fifteen years earlier, O’Grady had worked as an intelligence analyst for the federal government. During the Cuban Missile Crisis, she was tasked with reading around 10 international newspapers a day and, as she likes to say, “at a certain point, words just became gelatinous.” But from that experience O’Grady was able to extract new meaning out of language. “I did a poem a week, and when I got to the four-month mark, they started taking off, and I could tell something was happening,” she says, though the knowledge that her own ideas could carry her from one place or plane to the next must have already been familiar. In addition to her time in Washington D. C., her pre-artist life included stints as a translator, a teacher, a student of fiction at the Iowa Writers’ Workshop and, as if she weren’t already intimidating enough, a rock critic. “I don’t feel I’ve had much unlived life,” says O’Grady, now 86.
Next month, she’ll be the subject of a major retrospective — her first — at the Brooklyn Museum, its title, “Both/And,” a reference to her rejection of binary thinking, which not only oversimplifies but ultimately tips the scales of perception in favor of one side or the other. Much of O’Grady’s philosophy is informed by her sense of self as a Black American woman with Afro-Caribbean and Irish roots. In her artwork (she’s also a writer, and her 1994 art historical essay “Olympia’s Maid: Reclaiming Black Female Subjectivity,” is considered a canonical feminist text), she often explores the idea of multiplicity through the form of the diptych, which forces the viewer to hold two sides of something in their mind simultaneously. In 2017, O’Grady reworked her newspaper poems, cutting up their contents for a second time and turning them into two-panel haikus. Both versions of the project are included in the exhibition, as is “Miscegenated Family Album” (1980/1994), a series of diptychs in which O’Grady juxtaposes photos of her family with depictions of ancient Egyptian royals, thereby lessening the presumed distance between them.
Read the full conversation HERE
The Hidden Landscape Project
The Hidden Landscape Project represents the joined efforts of professional, Native, and antiquarian researchers who have generously volunteered to combine their expertise into a chronicle of research- a series of video stories that investigate the archaeological history and the modern legacy of the Northeastern Native civilization. The combined vision of so many researchers working together also represents a new approach to the long standing and often very heated controversy that surrounds the ceremonial stone landscapes of North America.
Join Doug Harris, Ceremonial Stone Landscapes researcher, Ted Timreck, director of the Hidden Landscapes films, and guest panelists for a five- part series featuring the films, panel discussions, and Q & A.
This series is co-sponsored by the Nolumbeka Project, River Valley Co-op, and the Karuna Center for Peace Building and a grant from the Massachusetts Foundation for the Humanities. Registration is required and limited to 500. Donations are requested. Pre-screenings are available for a fee at http://www.twtimreck.com.
Saturday, February 13, 2 pm EST
The Great Falls, Part I: Discovery, Destruction and Preservation in a Massachusetts Town
Sunday, February 14, 2 pm EST
The Great Falls, Part II: Discovery, Destruction and Preservation in a Massachusetts Town
Saturday, March 6, 2 pm EST,
Before the Lake Was Champlain: An Untold Story of Ice Age America. Guest panelist Dr. Fred Wiseman
Saturday, March 13, 2 p.m. EST
The New Antiquarians, Working Together to Unlock the Mysterious Stone Ruins, Guest Panelist Evan Pritchard, Director Center for Algonquin Studies
Saturday, March 20, 2 p.m. EST
The Devil’s Footstep, A New Vision of Early Native Life, Guest panelist Tim Mentz, former Standing Rock Tribal Historic Preservation Officer (1996 to 2008)
To register and donate: Visit http://www.nolumbekaproject.org to register or donate.
The Great Falls, Discovery, Destruction and Preservation in a Massachusetts Town
The first of the Hidden Landscapes film series, will be featured in two parts:
February 13 and 14 at 2 pm EST.
The film begins in Turners Falls, Massachusetts, when the town was attempting to expand the runway of its airport. The plan called for the removal of a low hill that contained what Native American tribal representatives identify as a ritual site-a ceremonial stone landscape. The surprising discovery and the on-going effort to understand and protect what is an amazing and historical asset is a dramatic story of environmental and historic preservation.
Join Doug Harris, ceremonial stone landscapes researcher, and director Ted Timreck for the beginning for a five-part film journey of discovery of the forgotten history of the Indigenous cultures of the Northeast.
About the presenters:
Doug Harris, Ceremonial Stone Landscapes Preservationist is a former Tribal Historic Preservation Officer for the Narragansett, and does historical preservation work primarily in the Northeast
T. W. Timreck is a Peabody award-winning documentary filmmaker whose programs have been featured on PBS and other networks around the globe. “Hidden Landscapes” is a multi-part series that tells the story of early Eastern Native American sea cultures and offers a radical perspective on the Indigenous history of northeastern North America
Professor Frederick M. Wiseman is the Coordinator of the Vermont Indigenous Heritage Center, an Indigenous rights activist and author of many scholarly and popular books on archaeology, ethnohistory and ethnobotany
Evan Pritchard (Mi’kmaq descendant) is author of 18 hardcover and trade paperback titles (including four anthologies and two self-published paperbacks) plus 36 other self-published books to date. As a popular adjunct professor, he has taught courses in Native American studies at Marist, Vassar and Pace
Tim Mentz, of the Standing Rock Sioux of South Dakota, became the nation’s first Tribal Historic Preservation Officer(THPO), from 1996 to 2008. Tim is co-owner of Makoche Wowapi (earth writings), a 17-person cultural resources firm focused on identification and protection of Dakota/Lakota cultural heritage sites.
Palette Online Gallery
February 2, – February 28, 2021
Link to show: Palette Gallery
Diana Jensen has shown at Palette and I’m glad to have her as part of this anti-covid solo series! Diana does a cool kind of appropriation thing by making her work from photos and slides she finds at thrift shops etc. This series is based on 27 boxes of vintage travel slides found in an Asbury Park thrift store that a friend gave her. She conceived this series while suffering through covid last year. You can read her words about this on the exhibit page.
– Joseph Borzotta
More info about Diana Jensen
The award winning film, Tumbling Towards Home is a coming of age story about Malcolm Adams, an Irish immigrant who moves to New York in 1989 to study acting under Alan Langdon. He works through the grief from the loss of his mother and his friend Philip Seymour Hoffman. This leads to his decision of where to place his hat down and call it home.
Watch film here: Tumbling Towards Home
Imelda O’Reilly is an award winning filmmaker. Her published works include plays, poems and a short story. As a filmmaker she has written and directed seven award winning films most recently, Tumbling Towards Home, Her feature screenplay titled We’re the Kids in America was an official selection for L’Atélier Cinéfondation, that is part of the Cannes International Film Festival in 2018.
O’Reilly is the recipient of a Fulbright Fellowship to Morocco in 2007. She has an MFA with honors in film from Columbia University. Imelda is an Associate Professor at JMU. Prior to JMU Imelda was an Assistant Professor at NYU’s Graduate Film Program TischAsia in Singapore.
While Covid 19 put a delay in celebrating Westbeth’s 50th Anniversary, it gave us time to think about the many ideas we wanted to share about this legendary artists’ community. This installation on the walls of the public spaces is the first in a series that will celebrate the past present and future of Westbeth.
The Westbeth Chronicles
was created by Terry Stoller who is a Westbeth resident and writer, as a way to document the experience of living here by former and current residents. The below excerpts which are featured on the walls are part of this continuing series of personal accounts. Click HERE to read more!
The Westbeth Chronicles Installation
was conceived by Ellen Salpeter, CEO and President of Westbeth in association with the Westbeth Board of Directors and the Westbeth Artists Residents Council. Designed by Tophos Graphics. Edited by Terry Stoller.
“ABOUT THE WORK”
Over the course of 4 years, Karen Ludwig conducted a series of conversations with prominent actors, directors and writers under the auspices of the New School for Drama. Her interviews focused on the work of creating, influences, introspection and resulted in surprising and in-depth responses from her guests which include Cynthia Nixon, Jeremy Irons, John Guare, Josh Hamilton, Lucas Hedges, Ethan Hawke, Cherry Jones, Dale Soules, among many more.
Enjoy an hour or so of discovery and inspiration .
Click on: Karen Ludwig Interviews
Actor, director, writer and teacher.
Her Broadway credits include PRELUDE TO A KISS with Steve Guttenberg and John Randolph, BROADWAY BOUND with Joan Rivers, THE DEVILS with Anne Bancroft, THE BACCHAE with Irene Pappas and many plays at the Public Theater. She was a member of Andre Gregory’s Manhattan Project for two years and performed in THE SEAGULL and Wallace Shawn’s OUR LATE NIGHT with the Company throughout the United States and Europe. Her first film was Woody Allen’s MANHATTAN, (Meryl Streep’s lover and most recently THAT AWKWARD MOMENT with Zach Efron. She wrote WHERE WAS I?, a solo show that she performed at Joe’s Pub. She produced and directed UTA HAGEN’S ACTING CLASS with Pennie duPont; a two-part DVD of her incomparable teacher and friend. UTAHAGENVIDEO.COM . Ms. Ludwig has taught abroad including Amsterdam, Israel and Australia as well as USC Film School, UCLA, NYU and is currently on the faculty of The New School and HB Studio in NYC.
While shooting an episode of LAW AND ORDER, in which Jeremy Irons was starring, she asked him if he’d be willing to talk to her students at The New School. He did and that led to Karen asking more prominent actors she had worked with, like Cherry Jones and that was the beginning of Karen’s interview series, About the Work. All in all, 41 actors, directors, and writers were interviewed.
Photo: Frankie Alduino
The Pandemic Changed Me: I Learned to Like Clothes Shopping
The Village Sun
January 20, 2021
….But there is no way I missed clothes shopping. My dislike dates back to my childhood when I was a girl and my mother dragged me with her from store to store on Main Street in downtown Paterson, New Jersey. Back in the ’50s and ’60s, before the suburban malls, my home city had a lively commercial area with department stores and specialty shops.
I felt trapped. I wanted to be playing basketball or roller skating, but I was forced to help my mother decide on patterns and material for dresses she would sew. (Not the least bit appealing to a tomboy.) I was bored after half an hour but my mother wanted to shop much longer. I couldn’t wait to get home. The only thing that kept me going was the reward.
When we finished, we went to the soda fountain at Woolworth’s and I ordered a hot fudge sundae with whipped cream and sprinkles. I plopped down on the spinning stools, trying to restrain myself from twirling while waiting. I was an energetic baby dyke in training.
Read the entire article HERE
Gay World War 2 Veteran Tells Harrowing Tale of Survival
in Animated Short
The Oscar 2020 nominated animated short, A Minor Accident of War, directed by Diane Weiss tells the gripping story of a gay man’s survival in World War 2.
That man is her uncle, Westbeth poet Edward Field, 96 who was a 21 year old navigator in the U.S. Air Force when his plane, part of a raid on Nazis, took fire over Germany during one of his 27 missions.
One of the reasons the film was made, Weiss explains in the 112 January 2021 article in The Advocate written by Daniel Reynolds, was in response to the Trump administrations attack on transgender troops.
Minor Accident of War is inspired by a 1967 poem written by Field, who also narrates the production. In addition to his military service, Field is a distinguished poet who has been honored with the Lamont Poetry Award, a Lambda Award, and a Guggenheim Fellowship. Additionally, Field penned To Be Alive, a short documentary that won an Oscar in 1966.
Excerpts from the article in Bedford and Bowery
by Sarah Krolewski
January 12, 2021
…“Westbeth was very concerned about everything” related to COVID-19, said Walter, a sentiment echoed by many other residents. “People here are vulnerable, but I feel very taken care of.”
Residents still stop for conversations with each other, standing six feet apart, and banter with staff at the front desk. Younger Westbethers feel compassion for their older counterparts, and disputes have died down. Most of the building’s usual events have moved online, attracting a steady stream of participants. Cominskie says he feels optimistic about the current board’s ability to meet future challenges. Westbeth appointed a new CEO, Ellen Salpeter, in 2019, a change that even long-time residents, accustomed to administrative shuffling, find promising. These are hazy signs that Westbeth may continue to survive, not fade away, and that it may at last be doing something right.”
” Months into the pandemic, masks are now mandatory in every part of Westbeth, and volunteers have continued to help the building’s most vulnerable residents with errands. The work of people like Dowling and Cominskie—a coterie of advocates fiercely committed to Westbeth—has helped to bring this community back from the brink.
“The collective energy of the building has been phenomenal,” said Cominskie, reached over the phone in October. “You’re going through this horrible period, and then somebody does something incredibly sweet—and you want to cry, it’s that wonderful.”
Even in the midst of so much grief and fear, Westbeth’s artists are continuing to make art, channeling these emotions into new and compelling work.”
““Our artists are the most important thing,” said Cominskie. “Without them, it’s just another apartment complex.”
Read the entire article which features interviews with Charles Seplowin, Karen Santry, Kate Walter, and George Cominskie.
“Our artists are the most important thing,” said Cominskie. “Without them, it’s just another apartment complex.”
Read the entire article which features interviews with George Cominskie, Karen Santry, Jack Dowling, Kate Walter and Charles Seplowin.
Bedfordl and Bowery about Westbeth