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DTSTART;TZID=America/New_York:20260209T080000
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SUMMARY:2026 Westbeth Classes and Workshops Sing Time Sessions\, Feldenkrais\, Meditation\,
DESCRIPTION:Click Imsge to enlarge \nSINGTIME SESSIONS\nFree No experience necessary\nFridays 4:30pm – 5:30pm FREE\nWestbeth Community Room\n155 Bank St (enter through courtyard)\nNew York\, NY 10014\nEve Zanni is an original jazz voice\, warm and expressive with a sensual musicality…traversing the primal depths of great jazz standards and original compositions in a blend of her unique arrangements that embrace classic jazz\, Brasilian\, Afro-Cuban\, Celtic and Middle-eastern rhythms….all sung with passion and romantic soul.\nMore about Eve Zanni HERE\nContact Eve Zanni 212 228 1141 westbethmusicworks@gmail.com \n \nClick image to enlarge\n FELDENKRAIS\nThursdays at 4 p.m. in the Westbeth Community Room \n155 Bank St.\nWe ask for a $5 donation and that you wear comfortable clothing. \nThere is a massive amount of construction work going on at Westbeth ; please don’t be daunted by the scaffolding and fences in the courtyard – the community room is still accessible. \nContact: Sandra Kingsbury slkingsbury189@gmail.com\nSponsored by Westbeth Beautification Committe \n \nClick image to enlarge \nMEDITATION\nWelcome / Free \nWestbeth Community Room\n155 Bank St\n(enter through courtyard)\nNew York\, NY 10014 \nTuesdays 4:30 – 5:30pm\nNov 11\, 2025 – May 19\, 2026 \n \nWEST AFRICAN DANCE AND DRUM WORKSHOP \nMondays  at 4pm – 5pm  in the Westbeth Community Room \n155 Bank St\n(enter through courtyard)\nNew York NY\n These free classes can be tailored to all ages. Vado Diomande’s  classes are exciting and accessible to all\, and give participants options to focus on drumming or on dancing or both! Vado brings all the drums / percussion instruments needed and retrieves them at the end of class.\nMore info and video  CLICK HERE
URL:https://westbeth.org/event/2026-westbeth-classes-and-workshops-sing-time-sessions-feldenkrais-meditation/
LOCATION:Westbeth Community Room
CATEGORIES:community-home
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DTSTART;TZID=America/New_York:20260710T190000
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SUMMARY:First Friday Music Mizell / Sanwald / Brade Trio plus strings
DESCRIPTION:. Friday July 10\, 2026 at 7pm \nWestbeth Community Room\n155 Bank Street\n(enter through courtyard and under scaffolding)\nNew York\, NY 10014\nFREE \nCelebrating their latest release\, “m/s/b/ + strings”\, with all original compositions in the Americana jazz genre with a touch of American chamber music. \nCameron Mizell\, Brooklyn-based guitarist and composer\, has been part of the diverse New York City music scene since 2004\, performing in a wide variety of genres from experimental improvisation to bluegrass musicals. Mizell has released 11 albums ranging from jazz-funk to Americana to avant-garde experimentalism. His latest effort as a band leader\, The Tree on Saffron Path\, pairs his guitar with a string trio for a set of cinematic chamber music\, lilting folk tunes\, and ambient improvisations. “Quietly and efficiently\, Mizell has put together a remarkably tuneful\, eclectic\, understatedly cinematic body of work. In a world overpopulated by guys who play a million notes where one would do\, Mizell’s economical\, purposeful style stands out even more.” (New York Music Daily). To hear his music and learn more\, visit http://cameronmizell.com \nAndreas Brade\, German born drummer\, educator and composer Andreas Brade has been a professional drummer for over 30 years. With an open mind he has found himself over the years in many different musical situations\, “the good and the bad” and many lessons learned. Andreas has performed and recorded nationally and internationally with many different Jazz\, African\, Afro Caribbean\, Gospel\, Rock\, R&B\, and Improvisational Artists at venues and festivals such as the Montreal Jazz Fest\, Kennedy Center\, Boston Symphony Hall\, NJPAC\, the Blue Note\, the Apollo Cafe and many more. These days\, Andreas likes to maintain his passion for Jazz\, and different genres of the world\, mainly African and Afro Caribbean styles\, while exploring his own voice. He is also drawn more towards electronica\, art and Improvisational music. \nAndreas has worked for over 20 years as an accompanist for modern dance for schools like the Martha Graham School\, Mark Morris Dance Center\, Paul Taylor\, Alvin Ailey\, Joffery Ballet. \nAs a composer Andreas has worked for Cornfield Dance for 15 years creating sound scores and sound scapes\, using his own samples and manipulating them with electronic effects. His works have been played/performed at venues and festivals such as 92nd Street “Y”\, Bryant Park Summer Stage\, the Battery Park Dance Festival\, the British Museum at Yale\, Baryshnikov Arts Center and the University of Georgia. \nA passionate educator\, Andreas taught at Berklee College of Music\, The Boston Community Music Center of Boston and the South Shore Conservatory. He is currently faculty at Brooklyn Music School and has his own teaching studio. \nAndreas holds a diploma from Berklee College of Music and a Masters of Modern American Music in Performance from Longy School of Bard College\, and endorses VicFirth and Zildjian Cymbals. \nThese days Andreas still enjoys staying inspired\, maintaining an open mind towards new musical adventures and solidifying his own sound\, Visit www.andreasbrade.com\nPaul Sanwald: \nPaul Sanwald is a bassist and composer living in Brooklyn\, NY. He leads a quartet that focuses on his original music\, and also works steadily as a sideman on upright bass and guitar\, and occasionally works as an arranger. \nPaul started playing music professionally as a teenager\, and has worked steadily for more than 20 years as a sideman and leader. Paul has toured internationally and recorded with Dem Brooklyn Bums\, Elizabeth and the Hot and Silver Trio\, Mizell/Sanwald /Brade Trio\, The Blue Saracens\, Flipside Phonics and Regatta 69. \nPaul has composed and arranged music for almost every kind of group imaginable: small jazz groups\, jazz big bands\, orchestras\, string quartet\, and a variety of chamber groups. \nA lifelong student\, Paul attended the New School’s venerable jazz performance program on a scholarship\, and studied orchestration\, conducting and composition at the Juilliard Evening Division with Dr. Daniel Ott and Jonathan Dawe. He studied jazz privately with many teachers\, but his first and most important teachers were Ed Paolantonio and John Wheliss.\nVisit http://paulsanwald.com
URL:https://westbeth.org/event/first-friday-music-mizell-sanwald-brade-trio-plus-strings/
LOCATION:Westbeth Community Room
CATEGORIES:Com-room
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