Category Archives: Events

Pamela Boily LAKESIDE

THINKING BIG
Artists of Blue Mountain Gallery

Pamela Boily LAKESIDE

Pamela Boily LAKESIDE

Dates: November 2 – 25, 2017

Hours Open: Wednesday – Sunday, 12 – 6 PM

Opening Reception: Sunday November 5, 3 – 5 PM with music by The First Street Quintet

Walk Around with Artists: Saturday November 11, 2 – 4 PM

Closing Reception: Saturday November 25, 4 – 6 PM

Thinking Big addresses the significance of both the physical and psychological impact of an artwork’s size in relation to its thematic concerns. Forty one gallery artists are included in this dynamic exhibition of paintings, prints, drawings and sculpture.

The accompanying online catalogue, available in late October, includes each artist’s thoughtful statements on the theme of bigness and an introductory essay by the critic Xico Greenwald.

This show serves as a reminder of the important role played by artist-run cooperatives over the past half century and builds on the recent interest in these galleries generated by the widely acclaimed exhibit “Inventing Downtown” at NYU’s Grey Gallery. Blue Mountain Gallery opened in 1980 as Soho was emerging as an art epicenter. Now located in the heart of Chelsea, its history and continuity form an important contribution to New York’s art world.

Participants:
Download pdf here about artists and their statements: THINKING BIG artists-statements-sept-13

Mary Lou Alberetti
Robert Alberetti
Gulgun Aliriza
Doug Anderson
Theresa Bartol
Nancy Beal
Pamela Berkeley
Leslie K. Brill
Richard Castellana
Michael Chelminski
Marcia Clark
Anne Diggory
Ken Ecker
Judith Evans

Sharyn Finnegan
Owen Grey
Margaret Grimes
Carol Heft
Marilyn Honigman
Sam Jungkurth
Charles Kalman
Joan Marie Kelly
Marjorie Kramer
John Leavey
Margaret Leveson
Helene Manzo
Richard Kirk Mills
Alakananda Mulkerji
Janie Paul
Erica Prud’homme
Janie Paul
Nancy Prusinowski
Tim Ross
Victoria Salzman
Gina Sawin
Janet Sawyer
Linda Smith
Sam Thurston
Jennifer Toth
Marie Van Elder
Rose Weinstock
Jeanie Wing

Curatorial Committee:

Marcia Clark, Anne Diggory, Sharyn Finnegan, Margaret Grimes, Margaret Leveson, Helene Manzo, Alakananda Mukerji

GWEN FABRICANT

GWEN FABRICANT featured in Voices of Contemporary Art, Thursday September 14, 2017 6PM at Fales Library, Bobst Library, NYU.

GWEN FABRICANT

Gwen Fabricant,
in conversation with Jennifer Hickey

Fales Library,
Bobst Library, NYU
70 Washington Square South, 3rd Floor, New York NY 10012

As part of Joan Mitchell Foundation’s ongoing collaboration with Voices of Contemporary Art (VoCA), please join us on Thursday, September 14, when artist Gwen Fabricant will sit down with VoCA Program Committee Member Jennifer Hickey to discuss her life, work, and artistic legacy.

Gwen has been supported by the Foundation in a number of ways, as a grant recipient, an Artist-in-Residence at the Joan Mitchell Center, and as a Creating a Living Legacy (CALL) Artist. The CALL/VoCA programs aim to highlight the innovative CALL initiative while also underscoring the crucial need for dialogue with artists around the production, presentation, and preservation of their work.

“CALL enabled me to cross the divide into the digital age. This opened new ways for me to communicate with people and institutions. In order to create this archive, we had to bring all the past work out into the open… and that, surprisingly, changed the way I see the whole course of my work.”

– Gwen Fabricant

About Joan Mitchell Foundation
The Joan Mitchell Foundation increases recognition of the work and life of pioneering abstract painter Joan Mitchell. Grounded in Mitchell’s desire to support the aspirations of visual artists, the Foundation engages individual artists through grantmaking, programming, and collaborations. We work to amplify the essential contributions artists make to the culturally diverse world in which we live. To learn more, visit our website.

About VoCA
Voices in Contemporary Art (VoCA) is a non-profit organization run out of NYC that generates critical dialogue and collaborative programming around the stewardship and preservation of contemporary art. VoCA’s network consists of artists, conservators, curators, collectors, registrars, arts administrators, and educators, and aims to develop knowledge via three major program streams: VoCA Talks, VoCA Journal, and VoCA Workshops. To learn more, please visit their website.

Happy Hour Sept 10th

West Village Happy Hour from
Westbeth Artists Residents Council
and Grove Pharmacy

Happy Hour Sept 10th

West Village Happy Hour is a social event for the West Village Neighborhood.
Held in the Westbeth Community room, sponsored by the Westbeth Artists Residents Council and Grove Pharmacy, your neighborhood pharmacy on 8th Avenue, this event is for people of all ages. It includes live music, refreshments and a short presentation on a timely subject – Not to Worry.

Hugette Martel-Title-1-reduced

Huguette Martel’s Adventures of a Would-Be Filmmaker just published on Narrative website.

Hugette Martel-Title-1-reduced

MartelHuguette_258x258

Huguette Martel was born in Paris, France. At the age of nineteen she moved to New York City, where she has lived ever since. She is a graduate of Cooper Union and the author of several books in which she incorporates paintings and text, often about her childhood in France and World War II, which she spent in hiding with a peasant family. Other works include Summer, In Vermont, Brief Encounter, and A True Fable. Her solo show of paintings, “Lost and Found,” was curated by Ben Katchor.

Read it here:

http://www.narrativemagazine.com/issues/narrative-backstage/graphic-stories/adventures-would-be-filmmaker-huguette-martel

Strange-Flowers_web_800 REVISED

STRANGE FLOWERS

Strange-Flowers_web_800 REVISED

Artists
Cecile Chong, Elisabeth Condon, Nancy Friedemann, Brece Honeycutt, Amy Lincoln, Judith Linhares, Rebecca Saylor Sack, Chrysanne Stathacos, Jessica Weiss, Jimmy Wright

Organized by Elisabeth Condon
elisabethcondon@gmail.com
917.449.4483

Exhibition Poster: Jessica Weiss GENIE 2014 (detail) Silkscreen, acrylic and collage on canvas 70 x 68 inches

Westbeth Gallery
55 Bethune St. at Washington St., New York, NY 10014
westbethgallery@gmail.com

Exhibition Dates: September 9 – September 30, 2017
Gallery Hours: Wednesday – Sunday 1 – 6 PM

Opening Reception: Saturday, September 9, 6 PM to 8 PM
Gallery Walk-Through with Selected Artists 4:30 – 5:30 PM
(Chong, Honeycutt, Lincoln, Linhares , Sack and Weiss)

Exhibition Statement

In the art and fashion worlds this season, flowers bloom in gallery and museum exhibitions and flourish in upscale window displays, pop-up shop exteriors and a myriad of high-end products from handbags to vases.

Yet beneath their decorative veneer flowers possess a strange morbidity. The desire to encapsulate their beautiful forms is to contain that which cannot be controlled. Michel Houellebecq jokes in The Map and The Territory ( 2010. p17-18) that “the flower’s will to live manifests itself in the dazzling spots of color which break the greenish banalty of the urban landscap, as well as the generally transparent banality of the urban landscape–or at least in municipalities in bloom.” A long-standing custom of sending flowers in the event of illness and death persists. Sadie Stein observes of Childe Hassam’s painting “The Room of Flowers,” 1894, that documents poet Celia Thaxter’s room the year of her demise, that the flowers depicted symbolically replace Thaxter’s body after her death.[1]

Strange Flowers considers what flowers symbolize to artists working with flowers today and who have worked with them a while. What compels artists to utilize flowers? How do flowers function as image, form or structure for each artist, and in a larger context help navigate life? How can frail flowers combat global instability, terror, falsity? Do flowers’ reminder of life’s fleeting beauty inspire artists, or in fact do they perceive flowers as beautiful at all?

[1] Stein, Sadie. On the Island of The Shoals with Celia Thaxter. Paris Review, February 4, 2016.

Nancy Friedemann CORNUCOPIA 2016 India Ink on Tyvek  225 x 108 inches

Nancy Friedemann CORNUCOPIA 2016 India Ink on Tyvek 225 x 108 inches

Artist Links:

Cecile Chong, NY, NY
http://cecilechong.com

Elisabeth Condon, NY, NY
http://elisabethcondon.com

Nancy Friedemann-Sanchez, Brooklyn, NY – Nebraska
http://www.nancyfriedemann.com/chapter-2/1

Brece Honeycutt, Sheffield, MA
http://brecehoneycutt.com

Amy Lincoln, Brooklyn, NY
http://amylincoln.com/paintings/1

Judith Linhares, Brooklyn, NY
http://www.judithlinhares.com/Gouache_BlueVase.html

Rebecca Saylor Sack, Philadelphia, PA
http://rebeccasaylorsack.net

Chrysanne Stathacos, Toronto, Athens
http://chrysannestathacos.com

Jessica Weiss, Brooklyn, NY
http://jessicaweiss.net

Jimmy Wright, NY, NY
http://www.jimmywrightartist.com/works/

Bruce Honeycutt FLASHCARDS:WILDFLOWERS 2016 ecoprint on paper, child's slate, vintage flash cards  73 x 24 x 8 inches

Bruce Honeycutt FLASHCARDS:WILDFLOWERS 2016 ecoprint on paper, child’s slate, vintage flash cards 73 x 24 x 8 inches

Cecile Chong DETAIL: WORK IN PROGRESS FOR STRANGE FLOWERS 2017 Flowers, foam paint. Dimensions variable

Cecile Chong WORK IN PROGRESS FOR STRANGE FLOWERS 2017 (detail) Flowers, foam paint. Dimensions variable

Penny Jones Puppets Oct 1

PEPPI AND THE POP UP DRAGON Penny Jones & Co Puppets
Early Childhood Theater

Penny Jones Puppets Oct 1

The new season of Penny Jones & Puppets Early Childhood Theater begins!

Sunday, October 1, 2017 at 11 AM & 2:30 PM

Peppi and the Pop-Up Dragon
A puppet show inside a giant 12-foot pop-up book with the audience creating the sounds and songs.
The sun rises and sets over a happy fishing village with bells that ring, babies who are rocked and boats that go out to sea. But the town is threatened by the pop-up dragon from the Blue Mountain. How will Peppi save the day?

With a special Dragon making mini-workshop after the show

Preview

Reviews
“ The townspeople were alarmed. How would they survive? (talk about problem solving and cooperation!) They solved the problem, but you’d have to see this remarkable show to find out how. What a pleasurable experience. All I heard after this performance was “How charming!”
-Puppet Master, Puppetry Guild of Greater New York

“It succinctly reminded me of what a wealth of resources we have in children’s theatre….charming”
-Puppeteers of America Puppetry Journal

“Very simple, and perfect as an introduction to theatre.”
-New York Magazine

“Charming.”
-The New York Times

Performed at the Henson International Festival at the Public Theater

Tickets on sale at pennypuppets.org and Eventbrite
or CASH ONLY at the door starting 20 minutes before the show
Tickets are $10 for all ages
Show Times: 11 AM & 2:30 PM
All Ages – Great for 3 to 8

Address: Westbeth Community Room
155 Bank Street between Washington and West Streets
Enter through courtyard
Stroller Parking
Shows Run about 45 Minutes
Information: (212) 924-0525

http://www.pennypuppets.org

BUS AND SUBWAY: M14A, M11, M20, (2 blocks)
A, C, E, L, 1, 2, 3 (5 or 6 blocks)

Discursive_Selves_Poster

DISCURSIVE SELVES

Discursive_Selves_Poster

July 21 – August 11, 2017
Wednesday – Sunday
12pm – 7pm

Discursive Selves explores the contested meaning of the Self Portrait. This collection of photography and film by eleven contemporary artists reveals nuanced definitions of selfhood that acknowledge the influence of one’s social environment on one’s inner sense of identity. These artists use the camera to navigate between both fluid and fixed perceptions of the Self, and are thus able to present who they are on their own terms.

The Self Portrait plays an essential role in the development and establishment of one’s identity— it informs and is informed, creates and is created, is both concrete and ephemeral. For some, it manifests as an artifact, a material body, or a form of testimony; for others, it is a projection, a speculation, or a performance. Working in a new genre of critical photography, these artists play with the paradox of “public intimacy” to explore the relationship between private life and public persona. Portrayals of the Self range from fictitious characters and imagined scenarios to biological self-studies or familial ties.

Discursive Selves dissects the myriad practices of formulating oneself as both an intimate ritual and a method of responding to one’s outer world. In a rapidly expanding global information society, this exhibition invites a moment of pause for contemplation in contemporary life.

Artists
Farah Al Qasimi
Aneta Bartos
Nicolas Bloise
Elliott Jerome Brown Jr.
Nona Faustine
Rindon Johnson
Tommy Kha
Pixy Liao
Matthew Morrocco
Bryson Rand
Paul Mpagi Sepuya

Curated by Eric Lawton & Daphne Takahashi

Westbeth Gallery
55 Bethune St
New York, NY 10014

This exhibition is made possible through the support of Art + Commerce

CAVE GATHERERS Fiber Mixed Media 48 x 96 inches

SUSAN BERGER’s work featured in a new show at the Albany Institute of History of Art, Artists of the Mohawk and Hudson Region

Three large works of Susan Berger have been included in a regional art exhibition,
Artists of the Mohawk and Hudson Region.

At: Albany Institute of History of Art at 125 Washington Avenue, Albany, NY
Open from Wednesday – Sunday (10AM – 5PM)

Exhibition Dates: June 17 – September 3, 2017

Website: www.albanyinstitute.org

Judged by jack Shear

CAVE GATHERERS Fiber Mixed Media 48 x 96 inches

CAVE GATHERERS Fiber Mixed Media 48 x 96 inches

LOOKING THROUGH THE WINDOW OF SUPERIOR INK AT DIFFERENT TIMES OF DAY Fiber mixed media

LOOKING THROUGH THE WINDOW OF SUPERIOR INK AT DIFFERENT TIMES OF DAY Fiber Mixed Media 40 x 60 inches

SUPERIOR INK

SUPERIOR INK COMPANY WEST VILLAGE Fiber Mixed Media 60 x 40 inches

Abandone Roller Coaster photo Tom Duncan

TOM DUNCAN Lost Coney Island

Abandone Roller Coaster photo Tom Duncan

Abandone Roller Coaster photo Tom Duncan

While Tom Duncan’s photographs of Cony Island offer a visual document of Coney Island today, the boardwalk snack stands or abandoned amusement rides, they also evoke the photographer’s personal memories of Cony Island of the past and the dramatic changes he has witnessed there over the years.

Tom Duncan  Photo by Karen Santry

Tom Duncan Photo by Karen Santry

Tom Duncan was born in Scotland in 1939. He attended the Art Students League and the National Academy School of Fine Art. He lives and works in Westbeth and is one of the original tenants. His is basically a sculptor. He has been documenting Cony Island since the 1970’s. His photography is completely self – taught.

Check Andrew Edlin Gallery website for further information on his sculpture:
www. edlingallery.com

Microsoft Word -  PAUL FINALLY .docx

Paul Muranyi WEATHER EVENTS 3

Microsoft Word -  PAUL FINALLY .docx

Painter Paul Muranyi is a Manhattan based artist who grew up in Westbeth Artists Housing. Both parents were artists his father a Jazz Musician and mother a fine arts painter/teacher. It was a common event in his house hold for him to play catch with Louis Armstrong and borrow his mother’s paints to create artwork and displayed proudly in the apt.
D06E2141-7480-42CC-B238-F23703DB4FF1 Paul’s interest in his current series reflects his long- time curiosity of dramatic events. Paul’s earlier career as a heavy metal guitar player performing predominantly in the East Village and eventually transitioned to a quest for a more stable life as he joined Westbeth Artist painter Karen Santry in her company the High -Tech Design Loft.
2EC3E3DE-33A0-42CE-AF08-5D083A8D5711Paul began experimenting with the computer parts and bright phone wires and plastic shapes working on 3-D collages. He began his studies at the School of Visual Arts resulting in his BFA in painting and had his first how with colleague Karen Young in the Westbeth Gallery. He has shown in over 28 galleries in group exhibitions throughout Manhattan and Florida.
B150EE99-B5B7-49D2-A5F5-D58D12BC458APaul’s current show in the Westbeth Hallway Gallery celebrates his third production of small and large oil painting series: Weather Events 3. His choice of only the most dramatic events in weather depict arresting combinations of moody lighting featuring lightening, tornadoes, icebergs, starlight evenings with coincidental sightings of shooting stars, comets or aurora borealis. Paul Muranyi evokes a sense of charged mystery and beauty through his combinations which manipulate an adroitly intuitive balance between realism and abstraction- taking the viewer through the familiar and the unknown.